Gabriel's Story: A Novel

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Overview

When Gabriel Lynch moves with his mother and brother from a brownstone in Baltimore to a dirt-floor hovel on a homestead in Kansas, he is not pleased. He does not dislike his new stepfather, a former slave, but he has no desire to submit to a life of drudgery and toil on the untamed prairie. So he joins up with a motley crew headed for Texas only to be sucked into an ever-westward wandering replete with a mindless violence he can neither abet nor avoid-a terrifying trek he penitently fears may never allow for a safe return. David Anthony Durham is a genuine talent bent on devastating originality and Gabriel's Story is as formidable a debut as we have witnessed.

Editorial Reviews

The old West, both beautiful and brutal, is the setting of Durham's magnificently realized debut novel, a classic coming-of-age story of an African-American boy. Shortly after the Civil War, 15-year-old Gabriel Lynch, his mother and younger brother head out from Baltimore to meet Gabriel's new stepfather in Kansas, where the family hopes to make a fresh start as farmers. But Gabriel finds homesteading to be backbreaking and depressing and is soon lured away by cruel, charismatic Marshall Hogg, who's leading a group of cowboys down into Texas. It seems a dream come true for Gabriel, but then the nightmare begins. While bloated with whiskey, Marshall accidentally murders a man, precipitating a flight from the law that degenerates into a grotesque spree of burglary, rape, kidnapping and murder. Gabriel desperately wants to escape, but is prevented by Marshall's threats and the menacing presence of Caleb, a mute and shadowy figure. When Gabriel finally manages to free himself, the evil that he unwillingly witnessed follows him back homeAand threatens the people he loves most. Durham is a born storyteller: each step of Gabriel's descent into hell proceeds from the natural logic of the narrative itself, which manages to be inevitable even as it's totally surprising. Equally impressive is Durham's gift for describing the awful beauty of the American West: "The April sky was not a thing of air and gas," writes Durham. "Rather it lay like a solid ceiling of slate, pressing the living down into the prairie." The tale's racial dimension is subtly and intelligently developed, and though some readers may be turned off by the violence Gabriel witnesses, all will be impressed by Durham's maturity, skill and lovingly crafted prose. Agent, Sloan Harris. (Jan. 16) Forecast: Durham's view of 1800s history through the eyes of a hopeful African-American boy adds a new dimension to the perennially appealing theme of the lure of the West. Doubleday seems ready to get behind this novel with focused promotion, including an author tour; readers may take notice.
Copyright 2000 Reed Business Information, Inc. -- PUBLISHERS WEEKLY.

Author Information

Bio of David Anthony Durham

David Anthony Durham was born in 1969 to parents of Caribbean ancestry. He won the Zora Neale Hurston/Richard Wright Fiction Award in 1992 and received a MFA from the University of Maryland in 1996. He has lived and traveled widely throughout America and Europe. Durham, along with his wife and daughter, now divides his time between the United States and Scotland.

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Additional Info

Imprint

Random House

Filesize

816.89 KB

Number of Pages

304

eBook ISBN

9780307425980

Awards

  • Alex Awards
  • Black Caucus of the America Library Association Award
  • Hurston/Wright Legacy Award
  • New York Times Notable Books of the Year

Excerpt from: Gabriel's Story by David Anthony Durham

The boy had measured their progress across the land through the warped glass of the train's windows. He had seen it all unfurl, from the tidewater up over the broken back of the mountains, out onto rolling hills and into the old frontier, now pacified and peopled and farmed, and further still, through cities and small towns and finally out onto this great expanse, across which they traveled like fleas on a mammoth's back. He had even watched at night, while his younger brother slept against his shoulder and his mother contemplated thoughts of her own. He searched in the land's dark contours for things he dared not name aloud, and he held within himself a rage of voices that to the outside world looked and sounded like silence.

When they stepped off the train that afternoon, the boy couldn't help but stare over the crowd and out to the horizon. Looking to the west, he could just make out the geometric shadows that were Crownsville, that cowtown newly bloomed and thriving, connected to the East by a bloodline of iron and steel. To the north and south and back to the east the land rolled away in undulating nothingness. The grass lay heavy and tired from the beating of the previous evening's rain, and the April sky was not a thing of air and gas. Rather, it lay like a solid ceiling of slate, pressing the living down into the prairie.

The train station was made up of several sod-brick buildings. They had crooked roofs out of which sprouted an abundance of green shoots. In front of one of these structures a motley array of men lounged, with expressions of indolent curiosity on their faces. The grass had been trodden down and thinned by the traffic. It was pockmarked with puddles and prints of both feet and hooves, and cut by wagon wheels.

"Gabriel, you and Ben help the men unload," the boy's mother said. "Make sure we get all our crates. There's six of them. Count each one and stack them ready to load on Mr. Johns's wagon." The boys didn't move, but she didn't seem to notice. Instead her gaze rose and roamed through the sparse crowd of people. "Go on and help, like I said," she said, moving away a few steps. The trim of her dress dangled down into the wet grass and mud, but she made no attempt to hold it up.

Gabriel nudged Ben on the shoulder, and the two boys walked toward the freight car, carrying what hand luggage they had with them. Gabriel had just turned fifteen, although he looked two or three years older. He had a strong body, tall and lean, with the long legs of his nomadic ancestors. His wool jacket cramped his shoulders and impeded the swing of his arms. His skin was a dark shade of brown stretched taut across his features, as if the components of his face were growing more rapidly than the shell. His nose was thin-bridged, with a distinctive flair to the nostrils that was wholly African in design.

Ben was his younger by two years. They looked much alike in the rudimentary casts of their appearance, although Ben had a small indentation on his forehead, and his eyebrows were drawn in thin, wispy lines. He also moved with a nervous energy very different from his brother's brooding gait. His gaze bounced from object to object, out toward the fields, from person to person, and back to the enormous iron works of the train that had brought them so far.

The two boys saw to the unloading. Gabriel was quiet and respectful, yet only enough so as to avoid trouble. He counted the crates, inquired about a missing one, and soon had them stacked as his mother had instructed.

This done, they climbed onto them, sat, and waited.

The younger boy said, "I reckon we're here."

Gabriel was silent for a long minute. "I reckon we're nowhere."

Eliza johns rejoined her sons soon after. She had a gaunt face, in which one could trace the origins of her sons' russet eyes, their full lips, and the deep brown hue of their flesh. Her cheekbones curved upward in smooth diagonal lines, unmarked by scar or blemish. She was still beautiful in the eyes of men, perhaps more so now than ever, although years of quiet worry had carved an angular tension into her features. From her erect posture, her civilized clothes, and the demure manner in which she held her hands clasped before her, one might have gathered that she was unaccustomed to the frontier. But there was something determined about the way she set her jaw and surveyed the crowd unflinchingly which seemed well suited for a place such as this. "You think he's not coming?" Ben asked.

"Don't be silly," Eliza said. "He'll be here." She reached over and straightened Ben's collar with a quick tug, then turned back and faced the crowd. "Don't expect the worst from people until they've shown a history of it."

This answer satisfied the younger boy, but not Gabriel. "He better come. Couldn't pay to go back if we had-"