The Road
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Overview
A searing, postapocalyptic novel destined to become Cormac McCarthy's masterpiece.
A father and his son walk alone through burned America. Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don't know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food--and each other.
The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, "each the other's world entire," are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.
Editorial Reviews
Starred Review. Violence, in McCarthy's postapocalyptic tour de force, has been visited worldwide in the form of a "long shear of light and then a series of low concussions" that leaves cities and forests burned, birds and fish dead and the earth shrouded in gray clouds of ash. In this landscape, an unnamed man and his young son journey down a road to get to the sea. (The man's wife, who gave birth to the boy after calamity struck, has killed herself.) They carry blankets and scavenged food in a shopping cart, and the man is armed with a revolver loaded with his last two bullets. Beyond the ever-present possibility of starvation lies the threat of roving bands of cannibalistic thugs. The man assures the boy that the two of them are "good guys," but from the way his father treats other stray survivors the boy sees that his father has turned into an amoral survivalist, tenuously attached to the morality of the past by his fierce love for his son. McCarthy establishes himself here as the closest thing in American literature to an Old Testament prophet, trolling the blackest registers of human emotion to create a haunting and grim novel about civilization's slow death after the power goes out. (Oct.) Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- PUBLISHERS WEEKLY.
Author Information
Bio of Cormac McCarthy
Cormac McCarthy was born in Rhode Island on July 20, 1933. He attended the University of Tennessee, but interrupted his studies for four years to join the U.S. Air Force. Although he has been publishing novels and receiving fellowships since 1965, his first best selling novel, "All the Pretty Horses" (winner of the National Book Award) came out in 1992. The book was the first part of the Border Trilogy, which also includes "The Crossing" and "Cities of the Plains." Cormac's earlier works include a play and a screenplay.
Customer Reviews
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An Excellent Travelog of Survival Amidst the Ruins of the WorldPosted May 06, 2007 by JD Hood, Vancouver, WA
A very believable and moving account of a dad and son's struggle to survive amidst the ruins of the world. The authors ability to capture both the mood and the feel of a world turned upside down and a dad's struggle to survive for his son within that harsh world--is moving.
As someone who reads fiction on occasion and rarely futuristic/science fiction, Cormac McCarthy's The Road should not be missed. -
The RoadPosted July 31, 2007 by KlondikeGeoff, AZ
Despite all the hoopla, this book was a disappointment. Not only terribly depressing, but page after page after page depicted the same thing. The man and boy walk south, looking for food. Sometimes they find it, sometimes they don't. This is repeated ad nauseum throughout the entire book. Nothing of note really happens except insipid conversation between them until the last few pages. It was not worth the wait..
The love between them is touching, but the plot is lacking much of any interest after the first few pages. -
The RoadPosted February 11, 2008 by jenniferpenacorp, Texas
This is a Greeeat book! I normally stick to non-fiction, true crime, etc. but I could not put this book down! Read it! It's awesome!
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ExcellentPosted January 05, 2009 by tom, Tulsa
One of the best books I read last year. A previous reviewer found this book "depressing" and "repetitive" but I could not disagree more. The book is certainly grim and at times brutal- but so is the world the characters inhabit. Any fan of survival style horror or suspense will love this book. And for all its darkness, there is a touching light of hope at the end..
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Interesting and terrifyingPosted January 05, 2009 by C Helm, Ohio, USA
I just don't think I was in the mood to wrap my head around this one. Terrifying story, good character detail.
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I hated this book.Posted January 07, 2009 by Puck Chaser, Locust Valley
The book was slow, painful and depressing to read. I would not recommend this!
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As good as I'd hopedPosted February 24, 2009 by B. Morgan, Detroit
An amazing book by one of the most original and most gifted American writers working today. This is how the world will end, in the mundane, as the ordinary tasks that become extraordinary in a world apparently cleansed by fire. In that extraordinary world are a father and son trying to survive one more day, to "keep the fire burning." Why? Well, the father asks himself that every day, haunted by doubts regarding the decisions he's made. While this is absolutely a tale of the apocalypse, it's also a love story between a father and a child.
To those of you saying the book was depressing, I have a question: What did you expect from a book set in a post-apocalyptic world where only a handful of humans survive? What bit of cheeriness did you expect from this book that, gee, somehow was lacking? Use your head, for god's sake. Same goes for those of you (well, mostly the same people) saying nothing happens, that the same thing occurs over and over and over. Again, I say: DUH!!!! It's a dying world where food is more precious than any gem we know now; how do you think people might spend their days in that world? By always looking for food, perhaps? It's your loss that you can't see the amazing things that DO happen in that sameness and can't see far more than the "inane" conversations between father and son. I honestly pity people who are too obtuse to understand something unless it is spoonfed to them in great big Tom Clancy chunks. Honestly, if you're going to miss the point of a book SO badly, maybe you should just skip the review in order to keep from putting your ignorance on display for the world. Just a thought.
For those who can handle subtext, and understand what remains unspoken, and can find the beauty in a gray, ashen world, this book will reward you a thousand times over. A masterpiece. -
One of the best books I've read in a long time!Posted July 21, 2009 by Sonja, Clearlake, CA
I couldn't put this book down! I read it in one night and then couldn't stop thinking about it for days. The simplistic writing fit well with the overall mood of the story and I think helped create a much more powerful emotional response out of the reader.
Yeah the book was dark, yeah the book was depressing, and yes this book left me with an ugly feeling for a long time. Come on, it's a post appocalyptic story and any book that can create such strong emotions out of me is a damn good book. -
Worth fighting for...Posted August 10, 2009 by James Davis, Dallas, TX
That's really what the book is about. The 'Man' fights against all odds to provide what he can for his son. This book will keep you turning pages until it end. McCarthy does a superb job of rooting for characters that have long odds... and no name?
Additional Info
Imprint
Knopf
Filesize
486.34 KB
Number of Pages
304
eBook ISBN
9780307267450
Awards
- American Library Association Notable Books
- Library Journal Best Books of the Year
- Pulitzer Prize
- Quill Awards
Excerpt from: The Road by Cormac McCarthy
When he woke in the woods in the dark and the cold of the night he'd reach out to touch the child sleeping beside him. Nights dark beyond darkness and the days more gray each one than what had gone before. Like the onset of some cold glaucoma dimming away the world. His hand rose and fell softly with each precious breath. He pushed away the plastic tarpaulin and raised himself in the stinking robes and blankets and looked toward the east for any light but there was none. In the dream from which he'd wakened he had wandered in a cave where the child led him by the hand. Their light playing over the wet flowstone walls. Like pilgrims in a fable swallowed up and lost among the inward parts of some granitic beast. Deep stone flues where the water dripped and sang. Tolling in the silence the minutes of the earth and the hours and the days of it and the years without cease. Until they stood in a great stone room where lay a black and ancient lake. And on the far shore a creature that raised its dripping mouth from the rimstone pool and stared into the light with eyes dead white and sightless as the eggs of spiders. It swung its head low over the water as if to take the scent of what it could not see. Crouching there pale and naked and translucent, its alabaster bones cast up in shadow on the rocks behind it. Its bowels, its beating heart. The brain that pulsed in a dull glass bell. It swung its head from side to side and then gave out a low moan and turned and lurched away and loped soundlessly into the dark.
With the first gray light he rose and left the boy sleeping and walked out to the road and squatted and studied the country to the south. Barren, silent, godless. He thought the month was October but he wasnt sure. He hadnt kept a calendar for years. They were moving south. There'd be no surviving another winter here.
When it was light enough to use the binoculars he glassed the valley below. Everything paling away into the murk. The soft ash blowing in loose swirls over the blacktop. He studied what he could see. The segments of road down there among the dead trees. Looking for anything of color. Any movement. Any trace of standing smoke. He lowered the glasses and pulled down the cotton mask from his face and wiped his nose on the back of his wrist and then glassed the country again. Then he just sat there holding the binoculars and watching the ashen daylight congeal over the land. He knew only that the child was his warrant. He said: If he is not the word of God God never spoke.
When he got back the boy was still asleep. He pulled the blue plastic tarp off of him and folded it and carried it out to the grocery cart and packed it and came back with their plates and some cornmeal cakes in a plastic bag and a plastic bottle of syrup. He spread the small tarp they used for a table on the ground and laid everything out and he took the pistol from his belt and laid it on the cloth and then he just sat watching the boy sleep. He'd pulled away his mask in the night and it was buried somewhere in the blankets. He watched the boy and he looked out through the trees toward the road. This was not a safe place. They could be seen from the road now it was day. The boy turned in the blankets. Then he opened his eyes. Hi, Papa, he said.
I'm right here.
I know.
An hour later they were on the road. He pushed the cart and both he and the boy carried knapsacks. In the knapsacks were essential things. In case they had to abandon the cart and make a run for it. Clamped to the handle of the cart was a chrome motorcycle mirror that he used to watch the road behind them. He shifted the pack higher on his shoulders and looked out over the wasted country. The road was empty. Below in the little valley the still gray serpentine of a river. Motionless and precise. Along the shore a burden of dead reeds. Are you okay? he said. The boy nodded. Then they set out along the blacktop in the gunmetal light, shuffling through the ash, each the other's world entire.
They crossed the river by an old concrete bridge and a few miles on they came upon a roadside gas station. They stood in the road and studied it. I think we should check it out, the man said. Take a look. The weeds they forded fell to dust about them. They crossed the broken asphalt apron and found the tank for the pumps. The cap was gone and the man dropped to his elbows to smell the pipe but the odor of gas was only a rumor, faint and stale. He stood and looked over the building. The pumps standing with their hoses oddly still in place. The windows intact. The door to the service bay was open and he went in. A standing metal toolbox against one wall. He went through the drawers but there was nothing there that he could use. Good half-inch drive sockets. A ratchet. He stood looking around the garage. A metal barrel full of trash. He went into the office. Dust and ash everywhere. The boy stood in the door. A metal desk, a cashregister. Some old automotive manuals, swollen and sodden. The linoleum was stained and curling from the leaking roof. He crossed to the desk and stood there. Then he picked up the phone and dialed the number of his father's house in that long ago. The boy watched him. What are you doing? he said.
A quarter mile down the road he stopped and looked back. We're not thinking, he said. We have to go back. He pushed the cart off the road and tilted it over where it could not be seen and they left their packs and went back to the station. In the service bay he dragged out the steel trashdrum and tipped it over and pawed out all the quart plastic oilbottles. Then they sat in the floor decanting them of their dregs one by one, leaving the bottles to stand upside down draining into a pan until at the end they had almost a half quart of motor oil. He screwed down the plastic cap and wiped the bottle off with a rag and hefted it in his hand. Oil for their little slutlamp to light the long gray dusks, the long gray dawns. You can read me a story, the boy said. Cant you, Papa? Yes, he said. I can.
. . .
On the far side of the river valley the road passed through a stark black burn. Charred and limbless trunks of trees stretching away on every side. Ash moving over the road and the sagging hands of blind wire strung from the blackened lightpoles whining thinly in the wind. A burned house in a clearing and beyond that a reach of meadowlands stark and gray and a raw red mudbank where a roadworks lay abandoned. Farther along were billboards advertising motels. Everything as it once had been save faded and weathered. At the top of the hill they stood in the cold and the wind, getting their breath. He looked at the boy. I'm all right, the boy said. The man put his hand on his shoulder and nodded toward the open country below them. He got the binoculars out of the cart and stood in the road and glassed the plain down there where the shape of a city stood in the grayness like a charcoal drawing sketched across the waste. Nothing to see. No smoke. Can I see? the boy said. Yes. Of course you can. The boy leaned on the cart and adjusted the wheel. What do you see? the man said. Nothing. He lowered the glasses. It's raining. Yes, the man said. I know.
They left the cart in a gully covered with the tarp and made their way up the slope through the dark poles of the standing trees to where he'd seen a running ledge of rock and they sat under the rock overhang and watched the gray sheets of rain blow across the valley. It was very cold. They sat huddled together wrapped each in a blanket over their coats and after a while the rain stopped and there was just the dripping in the woods.
When it had cleared they went down to the cart and pulled away the tarp and got their blankets and the things they would need for the night. They went back up the hill and made their camp in the dry dirt under the rocks and the man sat with his arms around the boy trying to warm him. Wrapped in the blankets, watching the nameless dark come to enshroud them. The gray shape of the city vanished in the night's onset like an apparition and he lit the little lamp and set it back out of the wind. Then they walked out to the road and he took the boy's hand and they went to the top of the hill where the road crested and where they could see out over the darkening country to the south, standing there in the wind, wrapped in their blankets, watching for any sign of a fire or a lamp. There was nothing. The lamp in the rocks on the side of the hill was little more than a mote of light and after a while they walked back. Everything too wet to make a fire. They ate their poor meal cold and lay down in their bedding with the lamp between them. He'd brought the boy's book but the boy was too tired for reading. Can we leave the lamp on till I'm asleep? he said. Yes. Of course we can.
He was a long time going to sleep. After a while he turned and looked at the man. His face in the small light streaked with black from the rain like some old world thespian. Can I ask you something? he said.
Yes. Of course.
Are we going to die?
Sometime. Not now.
And we're still going south.
Yes.
So we'll be warm.
Yes.
Okay.
Okay what?
Nothing. Just okay.
Go to sleep.
Okay.
I'm going to blow out the lamp. Is that okay?
Yes. That's okay.
And then later in the darkness: Can I ask you something?
Yes. Of course you can.
What would you do if I died?
If you died I would want to die too.
So you could be with me?
Yes. So I could be with you.
Okay.
He lay listening to the water drip in the woods. Bedrock, this. The cold and the silence. The ashes of the late world carried on the bleak and temporal winds to and fro in the void. Carried forth and scattered and carried forth again. Everything uncoupled from its shoring. Unsupported in the ashen air. Sustained by a breath, trembling and brief. If only my heart were stone.
He woke before dawn and watched the gray day break. Slow and half opaque. He rose while the boy slept and pulled on his shoes and wrapped in his blanket he walked out through the trees. He descended into a gryke in the stone and there he crouched coughing and he coughed for a long time. Then he just knelt in the ashes. He raised his face to the paling day. Are you there? he whispered. Will I see you at the last? Have you a neck by which to throttle you? Have you a heart? Damn you eternally have you a soul? Oh God, he whispered. Oh God.
They passed through the city at noon of the day following. He kept the pistol to hand on the folded tarp on top of the cart. He kept the boy close to his side. The city was mostly burned. No sign of life. Cars in the street caked with ash, everything covered with ash and dust. Fossil tracks in the dried sludge. A corpse in a doorway dried to leather. Grimacing at the day. He pulled the boy closer. Just remember that the things you put into your head are there forever, he said. You might want to think about that.
You forget some things, dont you?
Yes. You forget what you want to remember and you remember what you want to forget.
There was a lake a mile from his uncle's farm where he and his uncle used to go in the fall for firewood. He sat in the back of the rowboat trailing his hand in the cold wake while his uncle bent to the oars. The old man's feet in their black kid shoes braced against the uprights. His straw hat. His cob pipe in his teeth and a thin drool swinging from the pipebowl. He turned to take a sight on the far shore, cradling the oarhandles, taking the pipe from his mouth to wipe his chin with the back of his hand. The shore was lined with birchtrees that stood bone pale against the dark of the evergreens beyond. The edge of the lake a riprap of twisted stumps, gray and weathered, the windfall trees of a hurricane years past. The trees themselves had long been sawed for firewood and carried away. His uncle turned the boat and shipped the oars and they drifted over the sandy shallows until the transom grated in the sand. A dead perch lolling belly up in the clear water. Yellow leaves. They left their shoes on the warm painted boards and dragged the boat up onto the beach and set out the anchor at the end of its rope. A lardcan poured with concrete with an eyebolt in the center. They walked along the shore while his uncle studied the treestumps, puffing at his pipe, a manila rope coiled over his shoulder. He picked one out and they turned it over, using the roots for leverage, until they got it half floating in the water. Trousers rolled to the knee but still they got wet. They tied the rope to a cleat at the rear of the boat and rowed back across the lake, jerking the stump slowly behind them. By then it was already evening. Just the slow periodic rack and shuffle of the oarlocks. The lake dark glass and windowlights coming on along the shore. A radio somewhere. Neither of them had spoken a word. This was the perfect day of his childhood. This the day to shape the days upon.











