Galilee
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Overview
Rich and powerful, the Geary dynasty has reigned over American society for decades. But it is a family with dark, terrible secrets. For the Gearys are a family at war. And their adversaries are the Barbarossas, a clan whose timeless origins lie in myth, whose mystical influence is felt in the intense, sensual exchanges of flesh and soul.
Now, their battle is about to escalate...
When Galilee, prodigal prince of the Barbarossa clan, meets Rachel, young bride of the Gearys' own scion, Mitchell, they fall in love, consumed by a passion that unleashes long-simmering hatreds. Old insanities arise, old adulteries are uncovered, and a seemingly invincible family will begin to wither, exposing its unholy roots.
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Author Information
Bio of Clive Barker
Clive Barker is the best-selling author of eighteen books, including his first book for children, The Thief of Always. He is also an acclaimed artist, film producer, and director. For four years Mr, Barker has been working on a vast array of paintings to illuminate the text of The Books Of Abarat, over one hundred of which can be found within this first volume. Mr. Barker lives in California with his partner, the photographer David Armstrong, and their daughter, Nicole. They share their house with four dogs, five goldfish, a parrot, fifteen rats, innumerable wild geckoes, a cockatiel, and a parrot called Malingo.
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Additional Info
Imprint
HarperCollins
Filesize
1.37 MB
Number of Pages
656
eBook ISBN
9780060091859
Awards
- Lambda Literary Awards
Excerpt from: Galilee by Clive Barker
Chapter One
At the insistence of my stepmother Cesaria Barbarossa the house in which I presently sit was built so that it faces southeast. The architect ' who was no lesser man than the third President of the United States, Thomas Jefferson ' protested her desire repeatedly and eloquently. I have the letters in which he did so here on my desk. But she would not be moved on the subject. The house was to look back towards her homeland, towards Africa, and he, as her employee, was to do as he was instructed.
It's very plain, however, reading between the lines of her missives (I have those too; or at least copies of them) that he is far more than an architect for hire; and she to him more than a headstrong woman with a perverse desire to build a house in a swamp, in North Carolina, facing southeast. They write to one another like people who know a secret.
I know a few myself; and luckily for the thoroughness of what follows I have no intention of keeping them.
The time has come to tell everything I know. Failing that, everything I can detect or surmise. Failing that, everything I can invent. If I do my job properly it won't even matter to you which is which. What will appear on these pages will be, I hope, a seamless history, describing deeds and destinies that will range across the world. Some of them will be, to say the least, strange events, enacted by troubled and unpalatable souls. But as a general rule, you should assume that the more unlikely the action I lay upon this stage for you, the more likely it is that I have evidence of its having happened. The things I will invent will be, I suspect, mundane by comparison with the truth. And as I said, it's my intention that you should not know the difference. I plan to interweave the elements of my story so cunningly that you'll cease to even care whether an event happened out there in the same world where you walk, or in here, in the head of a crippled man who will never again move from his stepmother's house.
This house, this glorious house!
When Jefferson labored on its designs he was still some distance from Pennsylvania Avenue, but he was by no means an unknown. The year was 1790. He had already penned the Declaration of Independence, and served in France as the US Minister to the French government. Great words had flowed from his pen. Yet here he is taking time from his duties in Washington, and from work in his own house, to write long letters to my father's wife, in which the business of constructing this house and the nuances of his heart are exquisitely interlaced.













