Eragon: Inheritance, Book I
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Overview
Fifteen-year-old Eragon believes that he is merely a poor farm boy-until his destiny as a Dragon Rider is revealed. Gifted with only an ancient sword, a loyal dragon, and sage advice from an old storyteller, Eragon is soon swept into a dangerous tapestry of magic, glory, and power. Now his choices could save-or destroy-the Empire.
Editorial Reviews
In the first volume in Paolini's planned Inheritance trilogy, 15-year-old Eragon discovers an odd blue gemstone while exploring an infamous stretch of forest. It is a dragon egg, fated to hatch in his care. Eragon quickly develops a psychic connection with the female dragon that emerges, whom he names Saphira ("His emotions were completely open to her mind, and she understood him better than anyone else"). Eragon narrowly escapes doom with Saphira's help, but the uncle who raised him is killed, setting up a robust revenge/adventure tale. The scope quickly expands: Eragon turns out to be the first of a new generation of Riders, a lodge of legendary dragon-riding warriors killed by the evil King Galbatorix. As a result, he becomes the focal point in a war between Galbatorix's forces and the resistance efforts of the Varden. Paolini, who was 15 years old himself when he began this book, takes the near-archetypes of fantasy fiction and makes them fresh and enjoyable, chiefly through a crisp narrative and a likable hero. He carries a substantial Tolkien influence-fanciful spellings of geographical names, the use of landscape as character, as well as the scale and structure of the story itself. But his use of language dispenses with the floral, pastoral touch in favor of more direct prose. The likeness does not end there: the volume opens with a detailed map of Paolini's world, and ends with a glossary and pronunciation guide for his invented language. An auspicious beginning to both career and series. Ages 12-up. (Aug.) Copyright 2003 Reed Business Information. -- PUBLISHERS WEEKLY.
Author Information
Bio of Christopher Paolini
Christopher Paolini was born on November 17, 1983 in Southern California. He has lived most of his life in Paradise Valley, Montana with his parents and younger sister, Angela. The tall, jagged Beartooth Mountains rise on one side of Paradise Valley. Snowcapped most of the year, they inspired the fantastic scenery in Eragon. Christopher was homeschooled by his parents. As a child, he often wrote short stories and poems, made frequent trips to the library, and read widely. Some of his favorite books were Bruce Coville's Jeremy Thatcher, Dragon Hatcher, Frank Herbert's Dune, and Raymond E. Feist's Magician, as well as books by Anne McCaffrey, Jane Yolen, Brian Jacques, E.R. Eddison, David Eddings, and Ursula K. Le Guin. The idea of Eragon began as the daydreams of a teen. Christopher's love for the magic of stories led him to craft a novel that he would enjoy reading. The project began as a hobby, a personal challenge; he never intended it to be published. All the characters in Eragon are from Christopher's imagination except Angela the herbalist, who is loosely based on his sister. Christopher was fifteen when he wrote the first draft of Eragon. He took a second year to revise the book and then gave it to his parents to read. The family decided to self-publish the book and spent a third year preparing the manuscript for publication: copyediting, proofreading, designing a cover, typesetting the manuscript, and creating marketing materials. During this time Christopher drew the map for Eragon, as well as the dragon eye for the book cover (that now appears inside the Knopf hardcover edition). The manuscript was sent to press and the first books arrived in November 2001. The Paolini family spent the next year promoting the book at libraries, bookstores, and schools in 2002 and early 2003. In summer 2002, author Carl Hiaasen, whose stepson read a copy of the self-published book while on vacation in Montana, brought Eragon to the attention of his publisher, Alfred A. Knopf, which is part of Random House. Michelle Frey, executive editor at Knopf Books for Young Readers, contacted Christopher and his family to ask if they might be interested in having Knopf publish Eragon. The answer was yes, and after another round of editing, Knopf published Eragon in August 2003. After an extensive United States and United Kingdom book tour for Eragon that lasted into 2004, Christopher returned to writing his second book, Eldest, which continues the adventures of Eragon and the dragon Saphira. Eldest was published in August 2005, and was followed by Christopher's book tour throughout the United States, Canada, United Kingdom, Spain, Germany, France, and Italy. In December 2006, Fox 2000 released their movie adaptation of Eragon in theaters around the world. Christopher is currently writing Book Three, which will be published on September 23, 2008. Early in 2007 he realized that the plot and characters demanded more space than could fit in one volume and that a fourth book would be necessary to give each story element the attention it deserved. What began as the Inheritance trilogy became the Inheritance cycle. Book Four will complete the story that Christopher envisioned years ago when he first outlined the adventure. Christopher is grateful to all his readers. He is especially heartened to hear that his books have inspired young people to read and to write stories of their own. Once the Inheritance cycle is finished, Christopher plans to take a long vacation and ponder which of his many story ideas he will write next.
Customer Reviews
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EragonPosted November 01, 2006 by Sandsid, Brea
I just finished reading the sixth book of the Harry Potter series, and I was itching for more. So I was out browsing the stores to find something...
I couldn't have found a better book! Now I can't wait for the third book to come out! -
EragonPosted November 27, 2006 by dmnelson77, Pittsburgh
I purchased Eragon and Eldest so that I could read them before seeing the Eragon Movie and was impressed both with the story and the writing. A very entertaining and enjoyable read. Looking forward to the third installment in the series.
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Posted December 19, 2006 by Michael Tam, Sydney, Australia
A reasonably good yarn though somewhat childish in its style. This admittedly does work earlier in the story with the young Eragon though seems immature towards the end of the book.
Rather Tolkien-esque with themes from the Riftwar Saga by Raymond E Feist.
Additional Info
Imprint
Knopf Books for Young Readers
Filesize
1.38 MB
Number of Pages
528
eBook ISBN
9780375890369
Awards
- Arizona Young Reader's Award
- Beehive Young Adults' Book Award
- Bluegrass Award
- Book Sense Book of the Year
- Buckeye Children's Book Award
- Colorado Blue Spruce Young Adult Book Award
- Colorado Children's Book Award
- Evergreen Young Adult Book Award
- Golden Archer Award (Wisconsin)
- Nene Award
- Pennsylvania Young Reader's Choice Award
- Rebecca Caudill Young Reader's Book Award
- SCASL Book Award (South Carolina)
- Sequoyah Book Award
- Virginia Reader's Choice Awards
- Volunteer State Book Award
- Young Reader's Choice Award
Excerpt from: Eragon by Christopher Paolini
Prologue
Shade of Fear
Wind howled through the night, carrying a scent that would change the world. A tall Shade lifted his head and sniffed the air. He looked human except for his crimson hair and maroon eyes.
He blinked in surprise. The message had been correct; they were here. Or was it a trap He weighed the odds, then said icily, "Spread out; hide behind trees and bushes. Stop whoever is coming ... or die."
Around him shuffled twelve Urgals with short swords and round iron shields painted with black symbols. They resembled men with bowed legs and thick, brutish arms made for crushing. A pair of twisted horns grew above their small ears. The monsters hurried into the brush, grunting as they hid. Soon the rustling quieted and the forest was silent again.
The Shade peered around a thick tree and looked up the trail. It was too dark for any human to see, but for him the faint moonlight was like sunshine streaming between the trees; every detail was clear and sharp to his searching gaze. He remained unnaturally quiet, a long pale sword in his hand. A wire-thin scratch curved down the blade. The weapon was thin enough to slip between a pair of ribs, yet stout enough to hack through the hardest armor.
The Urgals could not see as well as the Shade; they groped like blind beggars, fumbling with their weapons. An owl screeched, cutting through the silence. No one relaxed until the bird flew past. Then the monsters shivered in the cold night; one snapped a twig with his heavy boot. The Shade hissed in anger, and the Urgals shrank back, motionless. He suppressed his distaste - they smelled like fetid meat-and turned away. They were tools, nothing more.
The Shade forced back his impatience as the minutes became hours. The scent must have wafted far ahead of its owners. He did not let the Urgals get up or warm themselves. He denied himself those luxuries, too, and stayed behind the tree, watching the trail. Another gust of wind rushed through the forest. The smell was stronger this time. Excited, he lifted a thin lip in a snarl.
"Get ready," he whispered, his whole body vibrating. The tip of his sword moved in small circles. It had taken many plots and much pain to bring himself to this moment. It would not do to lose control now.
Eyes brightened under the Urgals' thick brows, and they gripped their weapons tighter. Ahead of them, the Shade heard a clink as something hard struck a loose stone. Faint smudges emerged from the darkness and came down the trail.
Three white horses with riders cantered toward the ambush, their heads held high and proud, their coats rippling in the moonlight like liquid silver.
On the first horse was an elf with pointed ears and elegantly slanted eyebrows. His build was slim but strong, like a rapier. A powerful bow was slung on his back. A sword pressed against his side opposite a quiver of arrows fletched with swan feathers.
The last rider had the same fair face and angled features as the other. He carried a long spear in his right hand and a white dagger at his belt. A helm of extraordinary craftsmanship, wrought with amber and gold, rested on his head.










