Women

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Overview

Low-life writer and unrepentant alcoholic Henry Chinaski was born to survive. After decades of slacking off at low-paying dead-end jobs, blowing his cash on booze and women, and scrimping by in flea-bitten apartments, Chinaski sees his poetic star rising at last. Now, at fifty, he is reveling in his sudden rock-star life, running three hundred hangovers a year, and maintaining a sex life that would cripple Casanova.

With all of Bukowski's trademark humor and gritty, dark honesty, this 1978 follow-up to Post Office and Factotum is an uncompromising account of life on the edge.

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Author Information

Bio of Charles Bukowski

Charles Bukowski is one of the 20th century's best-known American writers of poetry and prose, and, many would claim, its most influential and imitated poet. He was born in Andernach, Germany, and raised in Los Angeles, where he lived for fifty years. He published his first story in 1944, when he was twenty-four, and began writing poetry at the age of thirty-five. During his lifetime, he published more than forty-five books of poetry and prose, including the novels Post Office, Factotum, Women, Ham on Rye, and Hollywood. Among his more recent books are the posthumous editions of Sifting Through the Madness for the Word, the Line, the Way; The Flash of Lightning Behind the Mountain; Slouching Toward Nirvana; and Come on In! Henry Charles Bukowski, the Poet Laureate of Skid Row, died in San Pedro, California, on March 9, 1994, at the age of seventy-three, shortly after completing his last novel, Pulp.

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Additional Info

Imprint

HarperCollins

Filesize

647.5 KB

Number of Pages

304

eBook ISBN

9780061542527

Excerpt from: Women by Charles Bukowski

I was 50 years old and hadn't been to bed with a woman for four years. I had no women friends. I looked at them as I passed them arning and with a sense of futility. I masturbateda regularly, but the idea of having a relationship with a woman even on non-sexual terms-was beyond my imagination. I had a 6 year old daughter born out of wedlock. She lived with her mother and I paid child support. I had been married years before at the age Of 35. That marriage lasted two and one half years. My wife divorced me. I had been in love only once. She had died of acute alcoholism. She died at 48 when I was 38. My wife had been 12 years younger than I. I believe that she too is dead now, although I'm not sure. She wrote me a long letter each Christmas for 6 years after the divorce. I never responded....
I'm not sure when I first saw Lydia Vance. It was about 6 years ago and I had just quit a twelve year job as a postal clerk and was trying to be a writer. I was terrified and drank more than ever. I was attempting my first novel. I drank a pint of whiske and two six packs of beer each night while writing. I smoked chyeap cigars and typed and drank and listened to classical music on the radio until dawn. I set a goal of ten pages a night but I never knew until the next day how many pages I had written. I'd et up in the morning, vomit, then walk to the front room andglook on the couch to see how many pages were there. I always exceeded my ten. Sometimes there were 17, 18, 23, 25 pages. Of course, the work of each night had to be cleaned up or thrown away. It took me twenty-one nights to write my first novel.
The owners of the court where I then lived, who lived in the back, thought I was crazy. Each morning when I awakened there would be a large brown paper bag on the porch. The contents varied but mostly the bags contained tomatoes, radishes, oranges, green onions, cans of soup, red onions. I drank beer with them every other night until 4 or 5 AM. The old man would pass out and the old lady and I would hold hands and I'd kiss her now and then. I always gave her a big one at the door. She was terribly wrinkled but she couldn't help that. She was Catholic and looked cute when she put on her pink hat and went to church on Sunday morning.
I think I met Lydia Vance at my first poetry reading. It was at a bookstore on Kenmore Ave., The Drawbridge. Again, I was terrified. Superior yet terrified. When I walked in there was standing room only. Peter, who ran the store and was living with a black girl, had a pile of cash in front of him. "Shit, he said to me, "if I could always pack them in like this I'd have enough money to take another trip to India!" I walked in and they began applauding. As far as poetry readings were concerned, I was about to bust my cherry.
I read 30 minutes then called a break. I was still sober and I could feel the eyes staring at me from out of the dark. A few people came up atid talked to me. Then during a lull Lydia Vance walked up. I was sitting at a table drinking beer. She put both hands on the edge of the table, bent over and looked at me. She had long brown hair, quite long, a prominent nose, and one eye didn't quite match the other- But she projected vitality-you knew that she was there. I could feel vibrations running between us. Some of the vibrations were confused and were not good but they were there.
She looked at me and I looked back. Lydia Vance had on a suede cowgirl jacket with a fringe around the neck. Her breasts were good. I told her, "I'd like to rip that fringe off your jacket-we could begin there!" Lydia walked off. It hadn't worked. I never knew what to say to the ladies. But she had a behind. I watched that beautiful behind as she walked away. The seat of her blue-jeans cradled it and I watched it as she walked away.
I finished the second half of the reading and forgot about Lydia
just as I forgot about the women I passed on the sidewalks. I took my money, signed some napkins, some pieces of paper, then left, and drove back home.
I was still working each n ight on the first novel. I never started writing until 6: 18 Pm. That was when I used to punch in at the Terminal Annex Post Office. It was 6 Pm when they arrived: Peter and Lydia Vance. I opened the door. Peter said, "Look, Henry, look what I brought you!"
Lydia jumped up on the coffee table. Her bluejeans fit tighter than ever. She flung her long brown hair from side to side. She was insane; she was miraculous. For the first time I considered the possibility of actually making love to her. She began reciting poetry. Her own. It was very bad. Peter tried to stop her, "No! No! No rhyming poetry in Henry Chinaski's house!
"Let her go, Peter!"