Tenney's Landing: Stories

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Overview

These deeply empathic and beautifully crafted stories explore the interwoven lives and histories of the people of Tenney's Landing, a small Pennsylvania river town. Catherine Tudish has assembled an array of richly textured characters whose paths intersect in ways both incidental and intimate as they learn that their capacity for hope and forgiveness is greater than they thought. In "Where the Devil Lost His Blanket," Elizabeth Tenney embarks on an unexpected journey to return the remains of her recently deceased neighbor, a woman she barely knew, to South America. "The Dowry" portrays a woman, who, faced with her father's fatal illness, finds herself confronting the tragedy and betrayal that drove her from home. The title character of "Jordan's Stand," a gruff old farmer, forms an unlikely friendship with a young widow as he tries to teach her how to hunt. In "The Springhouse," a woman finds the strength to leave her husband and return to her parents' home, where she becomes the unofficial guardian of all manner of community secrets. Wise,

Editorial Reviews

The evolution of a landscape and its inhabitants binds together the tales in this eloquent, emotionally authentic debut, set in a fictional Pennsylvania river town. For the denizens of once-prosperous Tenney's Landing, the past remains at hand: prodigals both fleeing and returning explore the repercussions of childhood cruelties, tragic accidents and betrayals, as well as acts of kindness and heroism. "A clean break, wasn't that what she wanted As if such a thing existed, as if fate might slip you a little silver hatchet and let you cut yourself free," muses the narrator of "The Springhouse," a woman who leaves her emotionally remote husband in Chicago and circles back to her parents' home. In "Jordan's Stand," a relative newcomer is appointed surrogate deer hunter by her elderly friend and neighbor, Jordan Eastman. Perched in a tree, she awaits her prey, pondering her husband's death and her new connections: "I think my widowhood draws us closer, as if the confluence of grief and old age were inevitable." Elizabeth Tenney, the protagonist in "Where the Devil Lost His Blanket," accompanies her Colombian neighbor's remains home to Bogot in a story that highlights her provincialism at the same time it imbues her prosaic life with meaning. Rendered in graceful prose and abounding with epiphanies, Tudish's stories make a lovely, mournful collection. Agent, Nat Sobel. (June) Copyright 2005 Reed Business Information. -- PUBLISHERS WEEKLY.

Author Information

Bio of Catherine Tudish

Born into an air force family, Catherine Tudish spent her childhood moving from one place to the next -- England, France, and all across America. She taught writing and literature at Harvard for eight years before moving to Vermont to work as a journalist. She now lives in Strafford, Vermont.

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Additional Info

Imprint

Scribner

Filesize

440.83 KB

Number of Pages

288

eBook ISBN

9780743267670

Awards

  • Barnes and Noble Discover Great New Writers Award

Excerpt from: Tenney's Landing by Catherine Tudish

Where the Devil Lost His Blanket

As the plane taxis away from the gate, I see Gordon standing with our children, Jamie and Sarah, at the big plate-glass window. And even though I know they can't see me, I press my hand against the tiny window next to my seat. The plane lurches along, with alarming creaks and vibrations, and gradually picks up speed. I watch the trees and the Air National Guard hangar whizzing past, and at the moment we leave the ground, I nearly cry out. Partly it's the unreality of taking flight, but mostly it's knowing how far away from them I will be when the plane touches ground again.

We rise above Pittsburgh, circling over the bridges and the three rivers that look motionless and glistening from above, and turn west, climbing into the clouds. Bogota. I say the name to myself. It conjures up nothing.

Somewhere beneath me, in the plane's luggage compartment, Margar ' a Flores lies in her funeral box. And her husband, Arturo, in an urn, packed in a little crate. I know so little about these people whose remains I have inherited, but Margar ' a wrote in her will that I should be the one to take her home. "My friend Elizabeth Tenney," Jackson read from the pages he was holding. Gordon and I sat together on the sofa in his office while Jackson read the will, and Gordon held my hand, as if we were hearing the news of my own terminal illness.

Margar ' a left me a pair of silver candlesticks -- I remember seeing them on her dining room table -- and money for the trip to Colombia and back. "I want my friend Elizabeth Tenney to have some remembrance of me and take me to my final resting place," she had written. Jackson held the will up for us to see, several sheets of lined paper filled with very precise, sloping handwriting.

We sat there looking at those pages for a minute or two, and then Gordon said, "I'll be damned."

Watching me, Jackson tipped his head to one side. "I didn't realize you and Margar ' a were friends." "We weren't close," I said. "It is kind of surprising." I tried to think of who else she might have asked instead, but I couldn't come up with anyone.

Jackson straightened the papers on his desk, looking amused. "Of course, you don't have to go. I can arrange to ship the casket."

"That wouldn't be right," I said, a feeling like shame curdling in my stomach. "I think I do have to go. She chose me."

That evening we called at the Cantwell Funeral Home, where Margar ' a was laid out. It's the only funeral home in Tenney's Landing. Our town has one lawyer and one undertaker. And one aging priest we share with Rownd's Point, a town nearby. Father Rollins stood beside the casket, a velvet-lined mahogany box that was too big for Margaria. She wore a black dress with a white silk flower at the neck, and she looked as if she had only closed her eyes for a moment, preparing herself for a photograph. A strand of her hair had come loose and trailed across the tiny pillow beneath her head. Instinctively, I reached out to tuck it into place, remembering how Sarah as a baby had been fascinated by Margaria's dark, glossy hair, the way she would reach up from her stroller and stroke it when Margar ' a bent down to speak to her. "Pretty," Sarah would say, her small hand patting Margar ' a's cheek.