Before the Knife
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Overview
In this unforgettable memoir, acclaimed novelist Carolyn Slaughter recalls her childhood in Africa and how the land itself released her from a rage that threatened to destroy her.
For Carolyn Slaughter, who grew up in Botswana in the 1950s, it was the Kalahari Desert that made life bearable. Her father was a cruel and violent district commissioner during the last days of British colonial rule, and their family's stiff English facade masked an unspeakable household secret. But out in the bush, the intensity of the air and the beauty of the landscape touched her with a kind of feverish grace. She would disappear for hours to watch the flat brown river with its water lilies and crocodiles; the thorn trees and the flocks of flamingos; the local women with their babies strapped to their backs. Filled with the majesty and splendor of the ever-changing desert, Before The Knife is the deeply moving story of a girl who endured and transcended her family's violence to emerge an impassioned observer and explicator of her world.
Editorial Reviews
A father's rape of his six-year-old daughter, "forgotten but not forgotten, known but not known," casts its shadow over this memoir of growing up during the 1950s in the Kalahari Desert of Botswana. Her father, a civil servant with a penchant for family and community violence, gives the young Slaughter "the creeps," and mother is "a bag of nerves and a basket case." Nightmares, a tendency toward accidents and an attempted suicide are Slaughter's share in this dysfunctional family, which includes two sisters. Sustenance or perhaps sanity? comes from her love affair with the "beautiful beyond words" landscape: the desert and its accompanying river. Novelist and psychotherapist Slaughter (Dreams of the Kalahari) builds her memoir around places (ships, houses, schools) delineated as visually as a photograph and objects rendered tangible, e.g., the Chevy's "voluptuous shapes and wide rumps" and the "meat knife with a beautiful, chiseled end" (which, incidentally, was the instrument of a failed attempt to kill her father). Two lives merge here, one of incredible beauty and one of incredible pain. Although the subject suggests comparison with Alexandra Fuller's Don't Let's Go to the Dogs Tonight, Slaughter's memoir is closer, thematically, to Conrad's Heart of Darkness. "You were always willing to go down into the dark without a candle," Slaughter's older sister says when they are reconciled adults, "but I'm not." Slaughter has succeeded in penning a chilling and compelling exorcism.
Copyright 2002 Cahners Business Information, Inc. -- PUBLISHERS WEEKLY.
Author Information
Bio of Carolyn Slaughter
Carolyn Slaughter was born in New Delhi, India, and spent most of her childhood in the Kalahari Desert of what is now Botswana. Soon after leaving Africa in 1961, she wrote what would later become her highly acclaimed novel Dreams of the Kalahari. She followed this with eight more novels. After living for many years in London, she moved to the United States with her family in 1986.
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Additional Info
Imprint
Random House
Filesize
560.40 KB
Number of Pages
240
eBook ISBN
9780307424938
Excerpt from: Before the Knife by Carolyn Slaughter
I was going to say that my first memory of our life in Africa was at Riley's Hotel in Maun, at the top of Botswana, on the edge of the Okavango Delta. But that isn't so. It's just that I tend to skip over the first place we lived in, as if I'm still trying to forget it the way I did then. That way, for a short while, it can seem, just like the first time, somehow not to have happened at all. Old defenses rush to the rescue so that even now, whenever I think of our life in Africa, I go directly to the Kalahari. I blot out the years from three to six, when my mother and I were like the first finger and thumb of a glove that held me safely in place in the world, and gave her a measure of safety that was taken from her just as suddenly and shockingly as it was from me.
Our life in Africa actually began in Swaziland-a tiny African kingdom held in the fist of the Republic of South Africa. At that time, the British government's district commissioners oversaw the colony, and my father was sent out from England to be one of those men who strode around wearing the hard hats, khaki uniforms, and knee-length socks of the Empire. We'd come out on the boat, and since I was only about three and a half at the time, I'm not sure how much I remember of that first sea voyage out. I seem to see the boat pulling out of the dock at Southampton and the paper streamers connecting, for those sad, fleeting moments, those on the boat to those on the shore. I seem to see my grandmother and my aunt far, far below, standing on the quay, stout women wearing dark clothes. My grandmother was bitter and silent when we said good-bye; she would barely kiss us and her face was stiff with anger. She'd been through all this before: my father had run off to India when he was twenty, leaving her and Ireland behind, vowing never to return to the miserable, rain-soaked poverty. Now he was at it again, taking us into another exile-this time into the dark, godforsaken hell of Africa.
My sister and I were born in India around the time of Partition and Independence, which came in 1947, and at the time of our births, my grandmother had reached her determined hand across the ocean, and insisted we be baptized as Catholics. My father-deep hater of priests and the Holy Roman Church-handed us over like lambs. Now he was trying to get away from his mother again, only this time he was escaping to Africa, and this time he wasn't going alone-he was taking my mother, my sister, and me with him.
After the British had pulled up stakes from India and headed home to England, my father hadn't been able to settle along with the rest of them. At that time, England's overseas colonies, apart from India, were held firmly under imperial domination. You had only to glance at an atlas to see how much of the world was painted red, the scarlet mark of British conquest and possession, the boot on the neck of the dispossessed. And all of this vast empire was somehow, quaintly, thought of simply as England, a frontier that stretched as far as destiny was wont to go.
India, in getting rid of the Empire, and splitting off Pakistan, had covered herself with a different kind of red. My parents, who had met and married in India, had to get out with the rest of the British and make way for independence and freedom. For England and her empire, it was the death knell, the beginning of the end, worse even than the uppityness of the wretched Boers in South Africa who'd tried the same thing some fifty years before. In India the dream died hard. English emotions were wrung at the death of the Raj. With India gone, the Empire began to sink down into the sea. In a dozen or so years, as red faded to pink, the imperial shade would be no more than a sign of decadence and corruption. Sharp new colors and brave flags now began to flutter over colonies where once the British had played polo and instilled a certain kind of order and gentility that was better suited to Oxfordshire or Surrey.
This giddy last fling of India under the Raj had got into my father's blood. As a young man, he'd found himself with complete dominion over more than a thousand Indians, and he'd liked it. The son of a policeman, born into poverty in Ireland in 1914, he'd found in this remote but exquisite satellite of the British Empire a place to exercise a deep need for power. It was a heady time in India, with insurrections and sectarian uprisings stirring the hot winds of independence. In Europe the war was raging, but my father was out of it. In India he'd joined the British Police, and later the Intelligence Bureau in New Delhi, where he and my mother were married and my sister and I were born. On his watch, a mighty nation was torn into two bleeding halves, and with independence, the British were thrown out, and he with them. Before you knew it, British India was no more.








