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A Friend at Midnight

Overview

Lily has settled into life in Connecticut after her parent's divorce but it's been harder on her eight-year-old brother Michael. After their mother remarries, her brother chooses to go live with his father in Washington, D.C., until the day he calls home from the Baltimore-Washington Airport where his father has abandoned him.

Lily is home babysitting her baby stepbrother when she answers the phone. She has no idea the extent to which her faith in God will be tested. There is no choice for Lily. She will rescue Michael, but will she be able to rescue herself from the bitterness and anger she feels?

Author Information

Caroline B. Cooney

Award-winning author Caroline B. Cooney knows what young adults like to read. In fact, Cooney's all-time favorite fan letter came from a 12-year-old girl who hated reading. But after being forced to read one of Cooney's books, the girl admitted it had not been a waste of time and had even been enjoyable. "And so," wrote the girl, "I have come to an important decision. I am writing to tell you that I have decided to read a second book."

Caroline Cooney was born in 1947 and grew up in Old Greenwich, Connecticut. This prolific author was always ambitious, and as a youth, loved school and was involved in many different activities. Cooney was also an avid reader and recalls that series books such as The Hardy Boys and Cherry Ames were her favorites. These characters had a big influence on her life, and in fact, she says that "Cherry Ames, Student Nurse was my reason to go to nursing school in Boston later in life."

Cooney began writing in college. She professes,"I love writing and do not know why it is considered such a difficult, agonizing profession. I love all of it, thinking up the plots, getting to know the kids in the story, their parents, backyards, pizza toppings."

Cooney is a master of mixing spellbinding suspense with thought-provoking insight into teenagers' lives. One of her most popular books is The Face on the Milk Carton--the gripping story of a young girl who discovers that the picture of a missing child on a milk carton is actually a picture of herself. After writing this book, Cooney received hundreds of letters from readers who were bothered by the ending. "It wasn't that they didn' t like the ending, it was that they wanted some kind of resolution. Some said I should have written another chapter." However, Cooney says she liked leaving the reader worrying about the character just as they would a real person. But one day, her daughter, Sayre, had an idea for a sequel that was so good, Cooney had to write it. The book that evolved was called Whatever Happened to Janie? Continuing where that novel leaves off, Cooney explores the themes of betrayal and peer pressure in The Voice on the Radio. Concluding the Janie Quartet is What Janie Found, in which Cooney masterfully spins a suspenseful story of family secrets that will have readers captivated until the very last word.Cooney's novel Burning Up explores the destructive nature of hatred, the crime of indifference, and the power of accepting love and responsibility.

In The Ransom of Mercy Carter, Cooney looks at an actual historic event that had been virtually unexplored in literature for young people. During a 1704 Indian attack on the Deerfield, Massachusetts, settlement, Mercy Carter is separated from her family and taken to a Kahnawake Indian village in Canada. As she awaits ransom, she discovers that the "savages" have traditions and family life that in time become her own.

Cooney completed her Time Travel Quartet with For All Time. In her novel Goddess of Yesterday, Cooney brings ancient Greece to life through careful research and master storytelling.

Most recently Cooney's Diamonds in the Shadow was named a 2008 ALA/YALSA Quick Pick and was a nominee for the Edgar Allen Poe Awards. Her latest gripping thriller, If the Witness Lied, details how love, devotion, and forgiveness make resilience--and recovery--possible.

Editorial Reviews

Cooney's (Whatever Happened to Janie?) latest tale starts with a jolt of adrenaline: an unnamed adult takes Michael to the airport, says something so terrible the boy knows "right away that he must not think about it," and drives off, leaving the youngster without money or an airline ticket. The boy must make his own way back to the New York suburb where, until just a few weeks ago, he lived with his mother, stepfather, two sisters and toddler half-brother. Several pages later Cooney reveals that Michael is just eight years old and the man who abandoned him was his own father, Dennis, who coolly explains, "You're not the son I had in mind." Riding to the rescue is Michael's sister Lily, 15, who manages to get her brother home without any adult help and, when Michael asks her to, promises never to tell what their father did and said. Horrifying though Michael's situation is, this is ultimately Lily's story, one that centers on her heart-splitting struggle to balance her loyalty to Michael's wishes with her fierce desire to reveal the ugly truth about their father. Matters come to a head a year later, when Lily's older sister, determined to have Dennis participate in her upcoming wedding, tries to insist that Lily make peace with their father. Wrathful, courageous, resourceful, loving and even occasionally light-hearted, Lily is a bracingly refreshing heroine. Ages 12-up. (Oct.) Copyright 2006 Reed Business Information.

Customer Reviews

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Product Details

  • Published by

    Delacorte Books for Young Readers

  • Publish Date

    August 11, 2008 

  • Print ISBN

    0385733275

  • eBook ISBN

    9780375849091

  • Imprint

    Delacorte Books for Young Readers

  • Filesize

    370.41 KB

  • Number of Print Pages*

    192

* Number of eBook pages may differ. Click here for more information.

Excerpt from A Friend at Midnight by Caroline B. Cooney

chapter 1


For miles, nobody spoke.

Then the driver stopped right in the road and said, "Get out of the car."

Michael's fingers struggled with the latch of his seat belt. The driver reached over with such irritation Michael expected a slap, but the driver just released Michael's seat belt. It was gray and shiny and slid away like a snake.

The car door was heavy. Michael opened it with difficulty and climbed out onto the pavement. The passenger drop-off made a long dark curve under the overhang of the immense airport terminal. Glass doors stretched as far as Michael could see. Men and women pulled suitcases on wheels and struggled with swollen duffel bags. They hefted briefcases and slung the padded straps of laptop carriers over their shoulders. The glass doors opened automatically for them and the airport swallowed them.

"Shut the door, Michael," said the driver.

Michael stared into the car. He could not think very clearly. The person behind the wheel seemed to melt and re-form. "You're not coming?" Michael whispered.

The driver answered, and Michael heard the answer. But he knew right away that he must not think about it. The shape and contour of those syllables were a map of some terrible unknown country. A place he didn't want to go.

"Shut the door," repeated the driver.

But Michael could neither move nor speak.

Again the driver leaned forcefully over the passenger seat where Michael had sat. Michael backed up, the heels of his sneakers hitting the curb. The driver yanked the door shut and the car began leaving before the driver had fully straightened up behind the wheel.

Michael stared at the back of the car, at its trunk and license plate, and immediately his view was blocked by a huge tour bus with a red and gold logo. Passengers poured out of the bus, encircling Michael, talking loudly in a language he did not know.

The bus driver opened low folding doors covering the cargo hatch and flung luggage onto the sidewalk. Bus passengers swarmed around the suitcases. Michael watched as if it were television. When all the luggage had been distributed, the driver folded the doors back, leaped into his bus and drove off.

Michael could see down the road again, but the car that had dropped him off was long gone. airport exit, said the sign above the road.

Three cars drove up next to his feet. Families got out. People kissed good-bye. They vanished into the maw of the airport. Another bus arrived, all its passengers either old ladies carrying big purses or old men carrying canes and newspapers.

Michael felt eyes on him. Not bus people eyes, because the bus people were too busy making little cries of pleasure as they spotted their suitcases.

He didn't have to look to know they were police eyes focused on him. He was not going to tell the police. Not now, not ever.

Michael eased into a knot of bus people, resting his hand on the edge of an immense suitcase towed by a fat chatty lady. Another even fatter lady towed an even larger suitcase. Wherever they were going, they could hardly wait to get there. The ladies hauled their suitcases into the terminal. Michael went with them. The women never noticed him, but surged forward into a ladies' room. Michael stood in the midst of a vast open area. Hundreds of passengers hurried by, separating on either side of him as if he were a rock in a river. They gave him no more attention than they would have given to such a rock.

Michael threaded his way down the concourse until he came to flight monitors high on the wall. Michael was not a good reader. Charts, like the departure and arrival lists on these screens, were difficult for him. Craning his neck and squinting, he struggled to interpret the information. There were several flights to LaGuardia. He counted six in the next two hours. He hung on to this information, as if it might be useful.

Michael was wearing new jeans. It was too hot for jeans, but he had been told to put them on. The crisp pant legs were rough against his skin. His T-shirt, though, was old and soft. It had been his sister Lily's, and he had filched it from her to use as packing around a fragile possession. He had been wearing it lately, even though it came to his knees.

He felt those eyes again. He walked into the men's room to get away from the stare. It was packed. So many men. Fathers, probably, or grandfathers or stepfathers or godfathers. He closed himself in a stall, but the toilet was flushing by itself, over and over, as if it intended to drown him, and he fled from the wet sick smell of the place.

Back in the open space, Michael distracted himself by looking everywhere, even up. The ceilings were very high, with exposed girders in endless triangles that looked like art. He had been in this airport once before and had imagined swinging from those girders, leaping from one to the next, sure of his footing. Michael was not sure of anything right now, not even the bottoms of his feet.

He sat on a black bench that had curled edges, like a licorice stick. Ticket counters stretched in both directions: American, Southwest, Continental, Frontier, Delta. People stood in long slow lines that zigzagged back and forth, separated by blue sashes strung between chrome stands.

Maybe I just didn't understand, he thought. Maybe the car just went to park. Maybe if I go back outside . . .

He felt better. He went back outside.

Taxis and hotel limousines and vans from distant parking lots were driving up. Wheeled suitcases bumped over the tiled sidewalk as loudly as guns shooting. Clumps of people stumbled against him and moved on. New buses took the place of the last set, and their exhausts were black and clotted in his lungs.

The terrible words the driver had flung at Michael had been lying on that sidewalk, waiting for him to come back, and now the words jumped up and began yelling at him.