Harry Keogh: Necroscope and other Weird Heroes

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Overview

Brian Lumley's most popular heroes appear in all-new or long-uncollected tales! Three new stories of Harry Keogh plus two adventures each of Titus Crow and David Hero add up to a fat volume that Brian Lumley fans-and especially Necroscope fans-will be eager to own!

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Author Information

Bio of Brian Lumley

Necroscope, & Others, Brian has recently completed his epic Necroscope saga in an amazing fourteen volumes. Brian's list of titles now runs to 50 and counting. A prolific if not compulsive writer, the bulk of his work has seen print in the last twenty-three years, this following a full span of twenty-two years of military service. Although he retired from the Army in December 1980, Lumley's first work - short stories, and eventually two collections - had been published many years earlier by the then dean of macabre publishers, August Derleth, at Arkham House in Wisconsin, USA. Thus, though he had long been an acknowledged master of the "Cthulhu Mythos" sub-genre inspired by H. P. Lovecraft's fiction, it wasn't until 1986, with his military career behind him, that the UK saw first publication of Brian's dead-waking, ground-breaking horror novel Necroscope, featuring Harry Keogh, the man who talks to dead people.

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Additional Info

Imprint

Tor/Forge

Filesize

708.85 KB

Number of Pages

320

eBook ISBN

9781429913324

Excerpt from: Harry Keogh by Brian Lumley

Titus Crow

Inception


December 1916. One week before Christmas.

London, in the vicinity of Wapping, an hour before dawn . . .

Mist-shrouded facades of warehouses formed square, stony faces, bleakly foreboding with their blind eyes of boarded windows; Dickensian still, the cobbled riverside streets rang to the frantic clatter of madly racing footsteps. Except for the figure of a man, flying, his coat flapping like broken wings, nothing stirred. Just him . . . and his pursuer: a second male figure, tall, utterly silent, flowing like a fog-spawned wraith not one hundred yards behind.

As to who these two were: their names do not matter. Suffice to say that they were of completely opposite poles, and that the one who feared and ran so noisily was a good man and entirely human, because of which he'd been foolish . . .

And so he fled, that merely human being, clamorously, with pounding heart, tearing the mist like cobwebs in a tunnel and leaving a yawning hole behind; and his inexorable pursuer flowing forward through that hole, with never the sound of a footfall, made more terrible because of his sound-lessness.

London, and the fugitive had thought he would be safe here. Panting, he skidded to a halt where a shaft of light lanced smokily down from a high window and made the cobbles shiny bright. In a black doorway a broken derelict sprawled like a fallen scarecrow, moaned about the night's chill and clutched his empty bottle. Coarse laughter came from above, the chink of glasses and a low-muttered, lewd suggestion. Again the laughter, a woman's, thick with lust.

No refuge here, where the air itself seemed steeped in decay and ingrown vice -- but at least there was the light, and humanity too, albeit dregs.

The fugitive hugged the wall, fused with it and became one with the shadows, gratefully gulped at the sodden, reeking river air and looked back the way he had come. And there at the other end of the street, silhouetted against a rolling bank of mist from the river, motionless now and yet full of an awesome kinetic energy, like the still waters of a dam before the gates are opened--

The guttural laughter came again from above, causing the fleeing man to start. Shadow figures moved ganglingly, apishly together in the beam of light falling on the street, began tearing at each other's clothing. Abruptly the light was switched off, the window slammed shut, and the night and the mist closed in. And along the street the silent pursuer once more took up the chase.

With his strength renewed a little but knowing he was tiring rapidly now, the fugitive pushed himself free of the wall and began to run again, forcing his legs to pump and his lungs to suck and his heart to pound as desperately as before. But he was almost home, almost safe. Sanctuary lay just around the next corner.

"London" . . ."Home" . . ."Sanctuary." Words once full of meaning, but in his present situation almost meaningless. Could anywhere be safe ever again? Cairo should have been, but instead, with the European war spilling over into the Middle East, it had been fraught. Paris had been worse: a seething cauldron on the boil and about to explode shatteringly. And in Tunisia . . . In Tunisia the troubles had seemed endless, where the French fought a guerrilla war on all sides, not least with the Sahara's Sanusi.