Losing My Faculties: A Teacher's Story
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Overview
I am just one of those rare and probably defective people who really enjoy the company of teenagers.
Brendan Halpin's It Takes a Worried Man--a memoir of how he and his family dealt with his wife's battle against breast cancer--was praised for its can-dor, raw humor, and riveting voice. Halpin now turns his unique talent to an unforgettable account of the pursuit of his true calling: teaching.
Losing My Faculties follows Halpin through teaching jobs in an economically depressed white ethnic town, a middle-class suburb, a last-chance truancy prevention program in the inner city, and an ambitious college-prep urban charter school. In the same cuttingly observant voice that marked It Takes a Worried Man, Halpin tells us what it really means to be a teacher--the ups and downs in the classroom, the battles with administrators and colleagues, and the joy of doing a job that matters. Not the tale of a hero who changes his troubled students' lives in one year, Losing My Faculties is, rather, the story of an all-too-fallible teacher who persists in spite of the frustrations that have driven so many others from the profession. After nine years of teaching, Halpin finds his idealism in shreds but his sense of humor and love for his work blessedly intact.
Editorial Reviews
As he's finishing grad school in the early 1990s, the author applies for positions in the Boston public school system; he wants to teach in an urban school, to work "with kids who might have their lives changed by me." In this absorbing, almost journal-like memoir, his second, Halpin (It Takes a Worried Man) shares his nine-year roller-coaster ride of life as a high school English teacher in Boston and two nearby suburbs. Halpin writes passionately about his work, from the highs of watching students "translate" scenes from Shakespeare-"One group... does a great job of turning Romeo and Juliet into something like Beavis and Juliet"-to the lows of not being able to control a room full of disruptive teenagers. He doubts himself and thinks about quitting. "I can't believe how much I suck at this job," he writes at one point (suck, one of the author's favorite words, appears a little too often). Halpin's story doesn't have a conventional happy ending, but he does accomplish his initial goals. In what he describes as "probably the best class I will ever have," Halpin reads Wordsworth's poem "We Are Seven" with a class of academically struggling juniors in Newcastle, Mass. "They speak honestly and movingly, and, best of all from the perspective of an English teacher, they keep coming back to the poem," he writes. "By the end of the class, they have done as thorough a job analyzing the poem as I could have hoped for." Though the memoir lags a bit in the middle, especially when Halpin recounts his frustrations with colleagues and school administrators, this chronicle provides an irreverent yet earnest look at the vocation its author clearly loves.
-- PUBLISHERS WEEKLY.
Author Information
Bio of Brendan Halpin
Brendan Halpin, a thirty-four-year-old high school English teacher, is the author of the acclaimed memoir It Takes a Worried Man. He lives in Boston with his wife, Kirsten, and their daughter, Rowen
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Additional Info
Imprint
Random House
Filesize
465.79 KB
Number of Pages
256
eBook ISBN
9780307431448
Excerpt from: Losing My Faculties by Brendan Halpin
In June 1990, with the aid of some creative credit card use, I go to Taiwan on a bogus "exchange program" through my university. (My future wife, Kirsten, and I are the first and last participants.) The "exchange" is with some English-language institute in Taipei, and the idea is that my university sends them recent grads to teach for a few months, and they send students to the university's ESL program for a few months. Of course, the real idea is that the Chung Shan English Language Institute can put "Affiliated with Ivy League University" on its brochures.
I fell into this because I worked in the International Programs Office, and, being a senior with no ambition or clue what to do and six months before my student loans were coming due, I decided that spending six months in Taiwan would be a pretty cool adventure.
The only downside (apart from the fact that Taiwan in the summer is a bowl of heat, humidity, and pollution that puts even my native Cincinnati to shame) is that I have to work at the institute teaching English.
Well, maybe "teaching" is sort of a misnomer. Most of what I do is work in the children's English classes, which they attend on Wednesdays and Saturdays, when they only have a half day of regular school. There is a Chinese teacher here to run the class and really teach them stuff, and an American teacher to run language games. It's like a very specialized, makeup-free version of clowning. I'm good at it, but it gets old pretty quickly.
I also work the occasional evening teaching teenagers and adults. Here I am the only teacher in the room, and though the syllabus has every class planned out and it's mostly going through lame exercises in the book, it is a version of teaching. Sometimes I veer from the syllabus and actually talk to the students. I find that I enjoy the teenagers the most. I don't know why this is-I think I am just one of these rare and probably defective people who really enjoy the company of teenagers.
It is July, and I have an early-evening class of all teenagers. Years later I will still remember some of them-Julie, Jim, Kellie, and Angle, who pronounces it "Angel" (of course, they have Chinese names, but I never know them, which is kind of weird-it's like your French or Spanish teacher only knowing you as Pierre or Vicente or whatever name you adopted in high school language classes). I've been teaching this group for about a month, and they are finally comfortable enough to start speaking, and the lame exercise in the book evolves into something that very nearly approximates a conversation. Most of the students are speaking, their English is flowing pretty well, and they're asking questions about the grammar point and then using my answers-everything is just working really well. I am shocked when class ends because it feels like it just started.
I meet up with Kirsten, who was teaching across the hall, and
prepare myself to leave the air-conditioning and step into the lead apron of swampy heat that is Taipei in the summertime. When the heat hits me, it's like a punch in the stomach. I've been here a month and I'm still not used to it. I immediately start sweating from every pore in my body, but I feel something else too. Something strange. Something I have never felt at the end of a day of work before.
I am happy and full of energy. I feel great-I'm buzzing tremendously and talking a mile a minute as I practically run down the street searching for some kind of cold beverage to save me from imminent dehydration.
"I can't believe this!" I say to Kirsten, who is looking at me "with stranger eyes," as one of our Chinese buddies would say. "I feel great! You're not supposed to feel great after work! You feel like shit, you go to happy hour to try and get happy, you don't get happy just from work!"
I worked the five previous summers in an insurance company and had a variety of jobs in college, and never, even when I watched TV for money in my dorm as a work/study "job," did I feel this good at the end of a day of work.














