The Death of Achilles: A Novel
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Overview
In 1882, after six years of foreign travel and adventure, renowned diplomat and detective Erast Fandorin returns to Moscow in the heart of Mother Russia. His Moscow homecoming is anything but peaceful. In the hotel where he and his loyal if impertinent manservant Masa are staying, Fandorin's old war-hero friend General Michel Sobolev ("Achilles" to the crowd) has been found dead, felled in his armchair by an apparent heart attack. But Fandorin suspects an unnatural cause. His suspicions lead him to the boudoir of the beautiful singer-"not exactly a courtesan"-known as Wanda. Apparently, in Wanda's bed, the general secretly breathed his last. . . . From the Trade Paperback edition.
Editorial Reviews
Set in 1882, Russian author Akunin's fourth novel to feature Erast Petrovich Fandorin (after 2005's The Turkish Gambit) consists of two parts that read like different books. In part one, the 26-year-old special agent comes to Moscow to investigate the sudden demise of national hero Gen. Mikhail Sobolev, who dies in the bed of an alluring courtesan. Fandorin learns of Sobolev's plan for a coup and of a missing suitcase full of a million rubles to fund it. The trail of the missing suitcase leads to the dangerous Khitrovka slums and then to Pyotr Khurtinsky, the scheming head of the secret section of the governor-general's chancellery. One step ahead of Fandorin is the mysterious Klonov, an assassin who may have once tried to kill our hero. As Fandorin closes in on Klonov, the narrative jumps to a retelling of the assassin's life. This shift brings a welcome change of storytelling, from the often stiff, theatrical language of the first section to a more natural, unembellished style. An exciting resolution only partly offsets this incongruity. (Apr.) Copyright 2006 Reed Business Information. -- PUBLISHERS WEEKLY.
Author Information
Bio of Boris Akunin
Boris Akunin is the pen name of Grigory Chkhartishvili, who was born in the republic of Georgia in 1956; he is a philologist, critic, essayist, and translator of Japanese. He published his first detective stories in 1998 and in a very short time has become one of the most widely read authors in Russia. He has written nine Erast Fandorin novels to date, and is working on two other series as well. Akunin enjoys almost legendary popularity in Russia. He lives in Moscow.
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Additional Info
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Currency
Filesize
1.85 MB
Number of Pages
336
eBook ISBN
9781588365354
Excerpt from: The Death of Achilles by Boris Akunin
CHAPTER ONE
In which the links of coincidence are forged into the chain of fate
THE MORNING TRAIN from St. Petersburg, still enveloped in the swirling smoke from its locomotive, had scarcely slowed to a halt at the platform of Nikolaevsky Station, and the conductors had only just unfolded the short flights of steps and tipped their peaked caps in salute, when a young man attired in quite remarkable style leapt out of one of the first-class carriages. He seemed to have sprung straight out of some picture in a Parisian magazine devoted to the glories of the 1882 summer-season fashion: a light suit of sandy-colored wild silk, a wide-brimmed hat of Italian straw, shoes with pointed toes, white spats with silver press-studs, and in his hand an elegant walking cane with a knob that was also silver. However, it was not so much the passenger's foppish attire that attracted attention as his physique, which was quite imposing, one might almost say spectacular. The young man was tall, with a trim figure and wide shoulders. He regarded the world through clear blue eyes, and his slim mustache with curled ends sat quite extraordinarily well with his regular features, which included one distinctive peculiarity--the neatly combed black hair shaded intriguingly into silver-gray at the temples.
The porters made short work of unloading the young man's luggage, which is itself worthy of special mention. In addition to suitcases and traveling bags, they carried out onto the platform a folding tricycle, a set of gymnastic weights, and bundles of books in various languages. Last of all there emerged from the carriage a short, bandy-legged oriental gentleman with a compact physique and an extremely solemn face and fat cheeks. He was dressed in green livery, combined discordantly with wooden sandals and a gaudy paper fan hanging around his neck on a silk string. This squat individual was clutching a quadrangular lacquered box in which was growing a tiny pine tree, looking for all the world as though it had been transported to the Moscow railway station from the kingdom of Lilliput.
Running his eye over the distinctly uninspiring structures of the railway terminus with a curious air of excitement, the young man inhaled the sooty station air and whispered: "My God, six long years." However, he was not permitted to indulge his reverie for long. The passengers from the St. Petersburg train were already being waylaid by cabbies, most of whom were attached to Moscow's various hotels. Battle was joined for the handsome dark-haired gentleman, who appeared to be a most desirable client, by knights of the road from the four hotels regarded as the most chic in Russia's old capital--the Metropole, the Loskutnaya, the Dresden, and the Dusseaux.
"Come stay at the Metropole, sir!" the first cabbie exclaimed. "An absolutely modern hotel in the genuine European style! And the suite has a special box room for your Chinee here!"
"He is not Chinese, but J-Japanese," the young man explained, incidentally revealing that he spoke with a slight stammer. "And I would prefer him to lodge with me."












