The Switch

Overview

For Tad Spencer, only son of a fabulously wealthy businessman, every day is like Christmas. He lives in a mansion, has a maid, servants, every toy imaginable. He has it all--until the day he wishes he was someone else.

Suddenly, Tad wakes up as Bob Snarby, trapped in a fi lthy and corrupt carnival world inhabited by hostile ingrates, hopeless criminals, and mysterious fortune tellers. But Tad discovers he's there for a reason when he begins to untangle a secret that could reveal an enemy no one could have imagined . . .

In this sardonic swap from New York Times bestselling author Anthony Horowitz, readers will not only be entertained, but reminded to be careful what they wish for--and happy for what they have.

Editorial Reviews

Maybe only a 10-year-old would find the zanily sinister world here plausible, but Horowitz (the Alex Rider adventures) writes about it with such zeal that older readers will get sucked in, too. Rich, spoiled Thomas Arnold David Spencer, or Tad, goes to bed one night on his goose feather pillow and Irish linen sheets wishing for one split second to be someone else. Thanks to some alignment of planets (or maybe just a weird carnival gypsy, it's never really clear), 13-year-old Tad gets his wish, and he wakes up in the body of Bob Snarby, the son of carnival workers, who has a penchant for sniffing glue. The ensuing chain of events has Tad, Bob and readers questioning whether anything is what it appears to be. Horowitz has fun describing both the squalor of Snarby's caravan and its hard-knock occupants as well as the upscale, anything-can-be-bought world of the Spencers. Spinning an action-packed story, Horowitz also slyly tosses in some pretty deep questions about life. Ages 10-up. (Jan.) Copyright 2008 Reed Business Information.

Author Information

Bio of Anthony Horowitz

Anthony Horowitz's life might have been copied from the pages of Charles Dickens or the Brothers Grimm. Born in 1956 in Stanmore, Middlesex, to a family of wealth and status, Anthony was raised by nannies, surrounded by servants and chauffeurs. His father, a wealthy businessman, was, says Mr. Horowitz, "a fixer for Harold Wilson." What that means exactly is unclear -- "My father was a very secretive man," he says-- so an aura of suspicion and mystery surrounds both the word and the man. As unlikely as it might seem, Anthony's father, threatened with bankruptcy, withdrew all of his money from Swiss bank accounts in Zurich and deposited it in another account under a false name and then promptly died. His mother searched unsuccessfully for years in attempt to find the money, but it was never found. That too shaped Anthony's view of things. Today he says, "I think the only thing to do with money is spend it." His mother, whom he adored, eccentrically gave him a human skull for his 13th birthday. His grandmother, another Dickensian character, was mean-spirited and malevolent, a destructive force in his life. She was, he says, "a truly evil person", his first and worst arch villain. "My sister and I danced on her grave when she died," he now recalls. A miserably unhappy and overweight child, Anthony had nowhere to turn for solace. "Family meals," he recalls, "had calories running into the thousands.... I was an astoundingly large, round child...." At the age of eight he was sent off to boarding school, a standard practice of the times and class in which he was raised. While being away from home came as an enormous relief, the school itself, Orley Farm, was a grand guignol horror with a headmaster who flogged the boys till they bled. "Once the headmaster told me to stand up in assembly and in front of the whole school said, 'This boy is so stupid he will not be coming to Christmas games tomorrow.' I have never totally recovered." To relieve his misery and that of the other boys, he not unsurprisingly made up tales of astounding revenge and retribution. So how did an unhappy boy, from a privileged background, metamorphose into the creator of Alex Rider, fourteen-year-old spy for Britain's MI6? Although his childhood permanently damaged him, it also gave him a gift -- it provided him with rich source material for his writing career. He found solace in boyhood in the escapism of the James Bond films, he says. He claims that his two sons now watch the James Bond films with the same tremendous enjoyment he did at their age. Bond's glamour translates perfectly to the 14-year-old psyche, the author says. "Bond had his cocktails, the car and the clothes. Kids are just as picky. It's got to be the right Nike trainers (sneakers), the right skateboard. And I genuinely think that 14-year-olds are the coolest people on the planet. It's this wonderful, golden age, just on the cusp of manhood when everything seems possible." Alex Rider is unwillingly recruited at the age of fourteen to spy for the British secret service, MI6. Forced into situations that most average adults would find terrifying and probably fatal, young Alex rarely loses his cool although at times he doubts his own courage. Using his intelligence and creativity, and aided by non-lethal gadgets dreamed up by MI6's delightfully eccentric, overweight and disheveled Smithers, Alex is able to extricate himself from situations when all seems completely lost. What is perhaps more terrifying than the deeply dangerous missions he finds himself engaged in, is the attitude of his handlers at MI6, who view the boy as nothing more than an expendable asset.

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Additional Info

Imprint

Philomel

Filesize

209.10 KB

Number of Pages

256

eBook ISBN

9781440699443