A Meal Observed
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Overview
In this seductive account of a long, luxurious dinner at the venerable Paris restaurant Taillevent, Andrew Todhunter is both the American abroad sharing a rare gastronomic adventure with his wife and the apprentice-cum-reporter who has spent several months working in the restaurant's celebrated kitchen, learning what goes on behind the scenes. As Todhunter describes it, Taillevent's highly orchestrated kitchen is "less an atelier than a gun deck on a ship of war, a place of shouts and fire."
On the other side of the kitchen's double doors, in the warm light of the nineteenth-century dining room, the American couple surrenders to the sensual pleasure of a beautifully wrought and meticulously served dinner--from the amuse-bouche (a warm cheese puff to "amuse the mouth") and the crime de cresson soup, with its sunken treasure of lobster tomalley, to the crowning glory of the fantaisie. In the spirit of A.J. Liebling's Between Meals, Todhunter layers mouthwatering descriptions of French dishes and their preparation with reflections on his American childhood (when food, like sex and money, was not to be discussed at the table), dips into culinary history and philosophy, and entertains with asides on everything from olive oil and chestnuts to the science of viniculture and the chemistry of chocolate. Between courses, Todhunter brings us back to the sanctum of the kitchen itself, where he has probing conversations with chef de cuisine Philippe Legendre and pastry chef Gilles Bajolle, both major figures in the French culinary pantheon, and their assistants. Through these great chefs and their impeccably trained brigade we gain a unique glimpse into the heart of French cuisine and the love of fine food. Is cooking more an art, a craft, or a science? Are great chefs born or made? Why are there so few women chefs in France? What is the greatest danger for a chef at the top of his game? How is a new dish developed? What is the future of haute cuisine in France and in the world at large? When we cook for others, for love or for money, what do we give of ourselves?
As richly satisfying as the five-hour meal it describes, A Meal Observed is a delightful paean to the French and French cuisine, and to the universal love of the table. Bon appetit!
Editorial Reviews
Todhunter takes a magazine-length idea and turns it into an amusing little book, combining history and experience with a sheaf of helpful culinary notes. The author, who lives in California and has written two previous books on extreme sports, has chosen as his subject a dinner with his wife at Paris's Taillevent, "a Michelin three-star restaurant considered by many critics to be the finest in France and thus the world." The book's chapters correspond to the stages of the meal, such as "L'Apritif," "L'Entre," "Le Plat" and "Le Fromage." As dinner progresses, Todhunter reveals his connection to Taillevent: he's been a sort of "reporter-apprentice" on and off for a few months. Thus, he frequently takes breaks from describing the meal to bring in details from fairly long interviews he's conducted with various Taillevent chefs and the things he's learned in the kitchen. Some of this is fascinating, such as the process by which one chef uses a motorized airbrush to "paint" a dessert with chocolate mist. Todhunter further plumps up the narrative with digressions on his personal culinary history. Although he claims he and his wife are "nonfoodies," his commentaries reveal otherwise: they have a cheese diary, where his wife keeps notes on Tomme d'Abondance and Sancerre; and Todhunter undoubtedly knows more than the average Joe about what goes with lobster or how to make a delicious sandwich. Whatever Todhunter's culinary status, however, he is never pretentious and goes to great lengths to explain the origins of such simple foods as salt and olive oil. By meal's end, when Todhunter staggers home feeling "less stuffed than meticulously packed," readers might well feel the same.
Copyright (c) Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- PUBLISHERS WEEKLY.
Author Information
Bio of Andrew Todhunter
Andrew Todhunter lives in northern California with his wife and two children. A freelance journalist who has written frequently for The Atlantic Monthly, he is the author of Fall of the Phantom Lord and Dangerous Games.
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Additional Info
Imprint
Random House
Filesize
667.72 KB
Number of Pages
240
eBook ISBN
9780307424426
Awards
- PEN Center USA West Literary Awards
Excerpt from: A Meal Observed by Andrew Todhunter
park at the corner of the rue Balzac and the Avenue de Friedland, and the instant I cut the engine I become aware that I am nervous. Performance anxiety, butterflies, a mild version of the racking nerves I used to suffer, as a freshman and sophomore in high school, before a wrestling match. The fear that I would be humiliated, outmanned, before the eyes of my coach, my teammates, and a girl whose name I had shoveled in the snow, on the frozen Hudson River, in letters visible to passing aircraft. In the car, I glance quickly over at my wife, who smiles gamely but a little uncomfortably, and we sit for a long moment in silence, not moving, in a kind of feigned, mutual optimism, as if bracing for embarrassing news. I try not to think it through, because I know that analysis will only make it worse, and that I am here, we are here, to enjoy ourselves. I glance at the car clock, then my watch, and their un- expected synchronicity provides a flush of paramili- tary satisfaction. I slip my cell phone out of the inside breast pocket of my jacket and check the time in the upper right-hand corner of its miniature screen. All three! A good omen, and proof, despite the state of my front bumper, creased into an awkward V against a black Mercedes' tow bar in Brugge, that my equip- ment and I are essentially on the ball. According to these three chronometers, it is 8:15 in the evening on Tuesday, July 13, 1999, the eve of Bastille Day. We are early.
I glance again at my wife. Erin is thirty-two and beautiful--stunning, really--and for this I'm grateful. Her beauty is the one sure thing we have on this world we are about to enter, the thing no waiter or sommelier or maitre d'hotel at Taillevent--a Michelin three-star restaurant considered by many critics to be the finest in France and thus the world--can wrest from us with a patronizing glance. In hours of need, one can remind oneself that beauty, more even than youth, its reckless twin, has ever been a fortune before which wealth, sophistication, and intellect will bow.
We are also prepared to spend between twenty-five hundred and three thousand francs--four to five hundred dollars out of our own pockets--on a meal for two. This is something we have never done. Not only because we are often nearly penniless, given the vicissitudes of my work, but because we are not, truly, gourmands. By and large, that is not where our money goes. For reasons fiscal, temperamental, and psychological, we eat out rarely, and when we do we often bring it home. Furthermore, though we have bought the odd issue of Gourmet or Saveur, we have not yet subscribed to such magazines. We are not, in short, "foodies." I object to the very word "foodie," not only for its inherent ugliness as a sound, but for its cliquishness. "I'm a huge foodie," a woman told me recently at a dinner party, with that mixture of false shame and childlike enthusiasm that accompanies nearly any public revelation of sensual preference, and it struck me as surprisingly intimate, even indecent, as if this near-stranger had slipped off her Roman sandals, stretched her calves across my lap, and asked if I would like to eat her feet. I later admitted that if this particular foodie had been more attractive her confession might not have troubled me. In that case, it might well have conjured the agreeable image of her nude and reclining in a bathtub of mashed banana.
Our status as nonfoodies notwithstanding, my wife and I both like to cook, and even more than that we like to sit and eat at a comfortable table for long hours. And that is one reason we are here, at this moment, at the corner of Balzac and Friedland. For there are few moments more existentially harmonious than those that make up the latter half of a good meal in a hospitable restaurant, in the company of one or two people--rarely more--with whom one feels almost entirely safe, and by whom one feels at least partially understood. I had such a meal at an underrated one-star restaurant named Julien, in Strasbourg, on the quai des Bateliers, with my wife and her mother some six years ago. By some turn of fate for which I shall always be grateful, I have been blessed with a mother-in-law who is excellent company. I would never have imagined, as a bachelor, that I might take some of the best trips in my life with my wife and her mother, but there it is. The fact that she is a good deal younger than we are in spirit certainly helps, and there is always the vague sense that we are traveling with a mysteriously greying niece. In any case, the near-perfection of such a meal has less to do with the food, with the procession of well-wrought dishes, than with that gathering condition of bien-etre induced by wine and victuals and companionship in a warm, preferably unfamiliar setting, all the while under the care of sure-handed and anonymous strangers.











