Dumb Witness

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Overview

When Poirot receives a cryptic letter from an already-deceased old woman, it's only a matter of time before he decides to investigate. While the woman's death looked natural to all, Poirot stubbornly believes it to be murder. But who had the motive...and the skill to make murder look so typical

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Author Information

Bio of Agatha Christie

One of the most successful and beloved writer of mystery stories, Agatha Mary Clarissa Christie was born in 1890 in Torquay, County Devon, England. She wrote her first novel, The Mysterious Affair at Styles, in 1920, launching a literary career that spanned decades. In her lifetime, she authored 79 crime novels and a short story collection, 19 plays, and six novels written under the name of Mary Westmacott. Her books have sold over a billion copies in the English language with another billion in 44 foreign languages. Some of her most famous titles include Murder on the Orient Express, Mystery of the Blue Train, And Then There Were None, 13 at Dinner and The Sittaford Mystery. Noted for clever and surprising twists of plot, many of Christie's mysteries feature two unconventional fictional detectives named Hercule Poirot and Miss Jane Marple. Poirot, in particular, plays the hero of many of her works, including the classic, The Murder of Roger Ackroyd (1926), and Curtain (1975), one of her last works in which the famed detective dies. Over the years, her travels took her to the Middle East where she met noted English archaeologist Sir Max Mallowan. They married in 1930. Christie accompanied Mallowan on annual expeditions to Iraq and Syria, which served as material for Murder in Mesopotamia (1930), Death on the Nile (1937), and Appointment with Death (1938). Christie's credits also include the plays, The Mousetrap and Witness for the Prosecution (1953; film 1957). Christie received the New York Drama Critics' Circle Award for 1954-1955 for Witness. She was also named Dame Commander of the Order of the British Empire in 1971. Christie died in 1976.

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Additional Info

Imprint

HarperCollins

Filesize

634.32 KB

Number of Pages

261

eBook ISBN

9780061177781

Excerpt from: Dumb Witness by Agatha Christie

Chapter 1
The Mistress of Littlegreen House
Miss Arundell died on May 1st. Though her illness was short her death did not occasion much surprise in the little country town of Market Basing where she had lived since she was a girl of sixteen. For Emily Arundell was well over seventy, the last of a family of five, and she had been known to be in delicate health for many years and had indeed nearly died of a similar attack to the one that killed her some eighteen months before.

But though Miss Arundell's death surprised no one, something else did. The provisions of her will gave rise to varying emotions, astonishment, pleasurable excitement, deep condemnation, fury, despair, anger and general gossip. For weeks and even months Market Basing was to talk of nothing else! Everyone had their own contribution to make to the subject from Mr Jones the grocer, who held that 'blood was thicker than water', to Mrs Lamphrey at the post office, who repeated ad nauseam that 'there's something behind it, depend upon it! You mark my words.'

What added zest to the speculations on the subject was the fact that the will had been made as lately as April 21st. Add to this the further fact that Emily Arundell's near relations had been staying with her just before that date over Easter Bank Holiday and it will be realized that the most scandalous theories could be propounded, pleasurably relieving the monotony of everyday life in Market Basing.

There was one person who was shrewdly suspected of knowing more about the matter than she was willing to admit. That was Miss Wilhelmina Lawson, Miss Arundell's companion. Miss Lawson, however, professed herself just as much in the dark as everyone else. She, too, she declared, had been dumbfounded when the will was read out.

A lot of people, of course, did not believe this. Nevertheless, whether Miss Lawson was or was not as ignorant as she declared herself to be, only one person really knew the true facts. That person was the dead woman herself. Emily Arundell had kept her own counsel as she was in the habit of doing. Even to her lawyer she had said nothing of the motives underlying her action. She was content with making her wishes clear.

In that reticence could be found the keynote of Emily Arundell's character. She was, in every respect, a typical product of her generation. She had both its virtues and its vices. She was autocratic and often overbearing, but she was also intensely warm-hearted. Her tongue was sharp but her actions were kind. She was outwardly sentimental but inwardly shrewd. She had a succession of companions whom she bullied unmercifully, but treated with great generosity. She had a great sense of family obligation.