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4.50 from Paddington

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Overview

For an instant the two trains ran side by side. In that frozen moment, Elspeth McGillicuddy stared helplessly out of her carriage window as a man tightened his grip around a woman's throat. The body crumpled. Then the other train drew away. But who, apart from Mrs. McGillicuddy's friend Jane Marple, would take her story seriously After all, there are no other witnesses, no suspects, and no case -- for there is no corpse, and no one is missing. Miss Marple asks her highly efficient and intelligent young friend Lucy Eyelesbarrow to infiltrate the Crackenthorpe family, who seem to be at the heart of the mystery, and help unmask a murderer.

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Author Information

Bio of Agatha Christie

One of the most successful and beloved writer of mystery stories, Agatha Mary Clarissa Christie was born in 1890 in Torquay, County Devon, England. She wrote her first novel, The Mysterious Affair at Styles, in 1920, launching a literary career that spanned decades. In her lifetime, she authored 79 crime novels and a short story collection, 19 plays, and six novels written under the name of Mary Westmacott. Her books have sold over a billion copies in the English language with another billion in 44 foreign languages. Some of her most famous titles include Murder on the Orient Express, Mystery of the Blue Train, And Then There Were None, 13 at Dinner and The Sittaford Mystery. Noted for clever and surprising twists of plot, many of Christie's mysteries feature two unconventional fictional detectives named Hercule Poirot and Miss Jane Marple. Poirot, in particular, plays the hero of many of her works, including the classic, The Murder of Roger Ackroyd (1926), and Curtain (1975), one of her last works in which the famed detective dies. Over the years, her travels took her to the Middle East where she met noted English archaeologist Sir Max Mallowan. They married in 1930. Christie accompanied Mallowan on annual expeditions to Iraq and Syria, which served as material for Murder in Mesopotamia (1930), Death on the Nile (1937), and Appointment with Death (1938). Christie's credits also include the plays, The Mousetrap and Witness for the Prosecution (1953; film 1957). Christie received the New York Drama Critics' Circle Award for 1954-1955 for Witness. She was also named Dame Commander of the Order of the British Empire in 1971. Christie died in 1976.

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Additional Info

Imprint

PerfectBound

Filesize

524.67 KB

Number of Pages

220

eBook ISBN

9780061155802

Excerpt from: 4.50 from Paddington by Agatha Christie

Mrs McGillicuddy panted along the platform in the wake of the porter carrying her suitcase. Mrs McGillicuddy was short and stout, the porter was tall and free-striding. In addition, Mrs McGillicuddy was burdened with a large quantity of parcels; the result of a day's Christmas shopping. The race was, therefore, an uneven one, and the porter turned the corner at the end of the platform whilst Mrs McGillicuddy was still coming up the straight.

No. 1 Platform was not at the moment unduly crowded, since a train had just gone out, but in the no-man's-land beyond, a milling crowd was rushing in several directions at once, to and from undergrounds, left-luggage offices, tea-rooms, inquiry offices, indicator boards, and the two outlets, Arrival and Departure, to the outside world.

Mrs McGillicuddy and her parcels were buffeted to and fro, but she arrived eventually at the entrance to No. 3 Platform, and deposited one parcel at her feet whilst she searched her bag for the ticket that would enable her to pass the stern uniformed guardian at the gate.

At that moment, a Voice, raucous yet refined, burst into speech over her head.

'The train standing at Platform 3,' the Voice told her, 'is the 4.50 for Brackhampton, Milchester, Waverton, Carvil Junction, Roxeter and stations to Chadmouth. Passengers for Brackhampton and Milchester travel at the rear of the train. Passengers for Vanequay change at Roxeter.' The Voice shut itself off with a click, and then reopened conversation by announcing the arrival at Platform 9 of the 4.35 from Birmingham and Wolverhampton.

Mrs McGillicuddy found her ticket and presented it. The man clipped it, murmured: 'On the right -- rear portion.'

Mrs McGillicuddy padded up the platform and found her porter, looking bored and staring into space, outside the door of a third-class carriage.

'Here you are, lady.'