Darwin Loves You: Natural Selection and the Re-enchantment of the World
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Overview
Jesus and Darwin do battle on car bumpers across America. Medallions of fish symbolizing Jesus are answered by ones of amphibians stamped "Darwin," and stickers proclaiming "Jesus Loves You" are countered by "Darwin Loves You." The bumper sticker debate might be trivial and the pronouncement that "Darwin Loves You" may seem merely ironic, but George Levine insists that the message contains an unintended truth. In fact, he argues, we can read it straight. Darwin, Levine shows, saw a world from which his theory had banished transcendence as still lovable and enchanted, and we can see it like that too--if we look at his writings and life in a new way.
Although Darwin could find sublimity even in ants or worms, the word "Darwinian" has largely been taken to signify a disenchanted world driven by chance and heartless competition. Countering the pervasive view that the facts of Darwin's world must lead to a disenchanting vision of it, Levine shows that Darwin's ideas and the language of his books offer an alternative form of enchantment, a world rich with meaning and value, and more wonderful and beautiful than ever before. Without minimizing or sentimentalizing the harsh qualities of life governed by natural selection, and without deifying Darwin, Levine makes a moving case for an enchanted secularism--a commitment to the value of the natural world and the human striving to understand it.
Editorial Reviews
Although the bumper-sticker title seems glib, Levine's book is most assuredly not. It will be a difficult read for nonphilosophers, even though Levine, professor emeritus of English at Rutgers, raises noteworthy points. His main premise is that a close reading of Darwin disproves Max Weber's contention that a "rational scientific" outlook "expels meaning and value from the world." Levine argues persuasively that an understanding of Darwinism can lead to a secular enchantment of the sort experienced by Darwin himself as he worked to make sense of the world around him: "an attitude of awe and love toward the multiple forms of life" in all their extraordinary diversity. Enchantment of this type, Levine explains, is no less important or meaningful than enchantment arising from religion. Levine also offers a textual analysis of Darwin to demonstrate that much writing that claims to derive from Darwin, especially within the realm of politics, does not necessarily follow from his original intent. With polemicists from all portions of the political spectrum attempting to use Darwin to their own advantage, Levine offers a fair warning to readers to be wary of the political extrapolation, because scientific theories themselves have no political content. (Nov.)
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Author Information
Bio of George Levine
George Levine is Professor Emeritus of English at Rutgers University. His books include "Darwin and the Novelists; Dying to Know: Narrative and Scientific Epistemology in Victorian England; The Realistic Imagination: English Fiction from Frankenstein to Lady Chatterley; The Boundaries of Fiction;" and a memoir about birdwatching, "Lifebirds".
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Additional Info
Imprint
Princeton University Press
Filesize
1.10 MB
Number of Pages
336
eBook ISBN
9781400827336
Excerpt from: Darwin Loves You by George Levine
Chapter 1
SECULAR RE-ENCHANTMENT
The gentle gentleman Charles Darwin, who was buried in Westminster Abbey, lives in public consciousness within an adjective describing a brutally competitive and mechanistic world, and as the author of a controversial theory that has made him to many the Antichrist. He has survived not only as the icon of a revolutionary shift in the way we think about origins and humanity but as an unpleasant idea. And for those who think about such things, in extending naturalistic explanation even to human behavior, he is seen as perhaps the most striking embodiment of that scientific rationalism that, in Max Weber's terminology, "disenchanted" the modern world. Evolution by natural selection seems to have removed both meaning and consolation from the world; those who discovered it and who now argue for it often engage in a kind of triumphal rationalism that treads all affective and extramaterial explanation underfoot. It is one thing to believe that science can explain the movement of the stars or even the composition of matter; it is quite another to believe that science can explain human nature itself, and all the disorderly intricacies of human life.
Certainly, Weber's reading of the disenchantment of the world was consistent with the responses of many Victorians to the progress of science. As against the scientific naturalists, T. H. Huxley, John Tyndall, and W. K. Clifford, who exuberantly advertised the power of science to transform the world, W. H. Mallock, among their most brilliant and witty antagonists, noted of the world in a book significantly called Is Life Worth Living? that "in a number of ways, whilst we have not been perceiving it, its objective grandeur has been dwindling."1 Instead of finding that the new knowledge enspirits and enlivens, Mallock claims that "in the last few generations man has been curiously changing."
And the change is the result of too much knowledge, too much reflection. Man "has become a creature looking before and after; and his native hue of resolution has been sicklied over by thought" (19). Mallock's formulation of the Victorian experience can serve as a strong example of Weber's point that the authority of scientific explanation drives meaning and value from the world.
And the Victorian struggle over this problem takes an even starker shape today. One of the more popular scientific books of recent years is called, not immodestly, How the Mind Works, and its author, Stephen Pinker, recognizing its immodesty, begins on an uncharacteristic "note of humility" by confessing that "we don't know how the mind works." But, Pinker says, we are on our way, arguing that our understanding of how the mind works has been "upgraded" from a "mystery" to a "problem."2 And it is precisely the fact that Pinker's project is recognized as a legitimate enterprise of science--the upgrade from mystery to problem anticipates another upgrade to resolution--that, according to Weber, marks modern culture's understanding that science can indeed explain everything. Weber contends that meaning drains out of the world precisely as we come to believe that "if one wished one could learn" virtually anything; "there are no mysterious incalculable forces."3
There is widespread agreement that this is the case. Pinker's project has deep roots, but in the nineteenth century, particularly in the work of the positivists and scientific naturalists, the enterprise of producing a full scientific description of all phenomena had gained enormous energy. When William James contemplated the project in 1902, he registered a response that confirms Weber's later thesis. "When we read...proclamations of the intellect bent on showing the existential conditions of absolutely everything," he asserts with something like contempt, "we feel-- quite apart from our legitimate impatience at the somewhat ridiculous swagger of the program... menaced and negated in the springs of our innermost life."4 He talks of "cold-blooded assimilations" that "threaten...to undo our soul's vital secrets," and of the "assumption that spiritual value is undone if lowly origin be asserted" (12-13). James's project is to open the way to a recognition of the importance and validity of the religious experience, but to do that he also makes plain the inadequacy for personal and spiritual satisfactions of this scientific "program." He describes, in effect, the condition of disenchantment, about which Weber was to write, and he feels obliged to engage immediately with what is certainly a fundamentally Darwinian project, the explanation of origins in "lowly" terms.
James mocks the pretensions of those who claim to be on their way to describing "the existential conditions of absolutely everything," but that program is not dead. Nor is it self-evident that it's not worth attempting.






