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Next

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Overview

Is a loved one missing some body parts? Are blondes becoming extinct? Is everyone at your dinner table of the same species? Humans and chimpanzees differ in only 400 genes; is that why a chimp fetus resembles a human being? And should that worry us? There's a new genetic cure for drug addiction-is it worse than the disease?

We live in a time of momentous scientific leaps, a time when it's possible to sell our eggs and sperm online for thousands of dollars and to test our spouses for genetic maladies.

We live in a time when one fifth of all our genes are owned by someone else, and an unsuspecting person and his family can be pursued cross-country because they happen to have certain valuable genes within their chromosomes . . .

Devilishly clever, Next blends fact and fiction into a breathless tale of a new world where nothing is what it seems and a set of new possibilities can open at every turn.

Next challenges our sense of reality and notions of morality. Balancing the comic and the bizarre with the genuinely frightening and disturbing, Next shatters our assumptions and reveals shocking new choices where we least expect.

The future is closer than you think.

Editorial Reviews

Bestseller Crichton (Jurassic Park) once again focuses on genetic engineering in his cerebral new thriller, though the science involved is a lot less far-fetched than creating dinosaurs from DNA. In an ambitious effort to show what's wrong with the U.S.'s current handling of gene patents and with the laws governing human tissues, the author interweaves many plot strands, one involving a California researcher, Henry Kendall, who has mixed human and chimp DNA while working at NIH. Kendall produces an intelligent hybrid whom he rescues from the government and tries to pass off as a fully human child. Some readers may be disappointed by the relative lack of action, the lame attempts to lighten the mood with humor (especially centering on an unusually bright parrot named Gerard), and the contrived convergence of the main characters toward the end. Still, few can match Crichton in crafting page-turners with intellectual substance, and his opinions this time are less likely to create a firestorm than his controversial take on global warming in 2004's State of Fear. Copyright 1997-2005 Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. -- PUBLISHERS WEEKLY.

Author Information

Bio of Michael Crichton

Michael Crichton, who died in Los Angeles on November 4, 2008, was a writer and filmmaker, best known as the author of Jurassic Park and the creator of ER. His most recent novel, Next, about genetics and law, was published in December 2006. Crichton graduated summa cum laude from Harvard College, received his MD from Harvard Medical School, and was a postdoctoral fellow at the Salk Institute for Biological Studies, researching public policy with Jacob Bronowski. He taught courses in anthropology at Cambridge University and writing at MIT. Crichton's 2004 bestseller, State of Fear, acknowledged the world was growing warmer, but challenged extreme anthropogenic warming scenarios. He predicted future warming at 0.8 degrees C. (His conclusions have been widely misstated.) Crichton's interest in computer modeling went back forty years. His multiple-discriminant analysis of Egyptian crania, carried out on an IBM 7090 computer at Harvard, was published in the Papers of the Peabody Museum in 1966. His technical publications included a study of host factors in pituitary chromophobe adenoma, in Metabolism, and an essay on medical obfuscation in the New England Journal of Medicine. Crichton's first bestseller, The Andromeda Strain, was published while he was still a medical student. He later worked full time on film and writing. One of the most popular writers in the world, his books have been translated into thirty-six languages, and thirteen have been made into films. He had a lifelong interest in computers. His feature film Westworld was the first to employ computer-generated special effects back in 1973. Crichton's pioneering use of computer programs for film production earned him a Technical Achievement Academy Award in 1995. Crichton won an Emmy Award, a Peabody Award, and a Writers Guild of America Award for ER. In 2002, a newly discovered ankylosaur was named for him: Crichtonsaurus bohlini. He had a daughter, Taylor, and lived in Los Angeles. Crichton remarried in 2005.

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Additional Info

Imprint

HarperCollins

Filesize

1.15 MB

Number of Pages

640

eBook ISBN

9780061290466

Excerpt from: Next by Michael Crichton

Chapter One

Division 48 of Los Angeles Superior Court was a wood-paneled room dominated by the great seal of the state of California. The room was small and had a tawdry feeling. The reddish carpet was frayed and streaked with dirt. The wood veneer on the witness stand was chipped, and one of the fluorescent lights was out, leaving the jury box darker than the rest of the room. The jurors themselves were dressed casually, in jeans and short-sleeve shirts. The judge's chair squeaked whenever the Honorable Davis Pike turned away to glance at his laptop, which he did often throughout the day. Alex Burnet suspected he was checking his e-mail or his stocks.

All in all, this courtroom seemed an odd place to litigate complex issues of biotechnology, but that was what they had been doing for the past two weeks in Frank M. Burnet v. Regents of the University of California.

Alex was thirty-two, a successful litigator, a junior partner in her law firm. She sat at the plaintiff's table with the other members of her father's legal team, and watched as her father took the witness stand. Although she smiled reassuringly, she was, in fact, worried about how he would fare.

Frank Burnet was a barrel-chested man who looked younger than his fifty-one years. He appeared healthy and confident as he was sworn in. Alex knew that her father's vigorous appearance could undermine his case. And, of course, the pretrial publicity had been savagely negative. Rick Diehl's PR team had worked hard to portray her dad as an ungrateful, greedy, unscrupulous man. A man who interfered with medical research. A man who wouldn't keep his word, who just wanted money.

None of that was true - in reality, it was the opposite of the truth. But not a single reporter had called her father to ask his side of the story. Not one. Behind Rick Diehl stood Jack Watson, the famous philanthropist. The media assumed that Watson was the good guy, and therefore her father was the bad guy. Once that version of the morality play appeared in the New York Times (written by the local entertainment reporter), everybody else fell into line. There was a huge "me, too" piece in the L.A. Times, trying to outdo the New York version in vilifying her father. And the local news shows kept up a daily drumbeat about the man who wanted to halt medical progress, the man who dared criticize UCLA, that renowned center of learning, the great hometown university. A half-dozen cameras followed her and her father whenever they walked up the courthouse steps.

Their own efforts to get the story out had been singularly unsuccessful. Her father's hired media advisor was competent enough, but no match for Jack Watson's well-oiled, well-financed machine.

Of course, members of the jury would have seen some of the coverage. And the impact of the coverage was to put added pressure on her father not merely to tell his story, but also to redeem himself, to contradict the damage already done to him by the press, before he ever got to the witness stand.